Example sentences of "other word " in BNC.
Next page| No | Sentence |
|---|---|
| 1 | In other words , there are no aesthetic objects , only physical objects , which , when observed , are capable of stimulating an aesthetic event . ’ |
| 2 | In other words , stylistic change is at a premium ; in Gombrich 's book the dramatic innovations of Caravaggio do well , but a distinguished painter , say Bonnard , who is not so bold or challenging an artist was omitted until additions were made to the text in 1971 . |
| 3 | In other words , Braque divines the essential spirit — one might almost call it the ‘ soul ’ — of each object that he paints . |
| 4 | In other words , Kundera 's novel isolates certain tendencies in the behaviour of poets ( and others ) in order to prosecute an attack on Stalinist Czechoslovakia . |
| 5 | The difference yields a political meaning , in other words , and it would also appear to relate to the old theory of the difference between an author who tells and an author who shows , and who employs a medley of voices in order to do so . |
| 6 | In other words , on the divorce question the Roman catholic clerical leadership were still using their joint authority , which is legitimate in the eyes of the majority in the Southern state , to press into civil legislation their views of public morality , and to use the informed conscience of the faithful as the primary vehicle . |
| 7 | In other words , when the New Ireland Forum was being assured by Bishop Daly of the intention of the Roman catholic church in Ireland to support full civil and religious rights for Northern Ireland protestants , the bishops were effectively reserving to themselves , as a body of luminaries with a direct access to the inner structures of social reality , the right to declare what actually constituted a civil and religious liberty or right and they were doing so on the grounds of what they considered good for society . |
| 8 | In other words , support for the education policies of the church were the quid the Irish party had to give in order to obtain the quo of the bishops ' endorsement of the party as the genuine political representatives of the Irish people or nation . |
| 9 | In other words , he wrote , am I right or wrong to see this as decisive ? |
| 10 | No front and back , in other words . |
| 11 | In other words , if in doubt , do n't take a chance . |
| 12 | In other words , anyone ! |
| 13 | In other words , Sergeant Wilson ( who has since left the force ) agreed to compromise to enhance his career opportunities rather than present any challenge to the system . |
| 14 | In other words , was there not a feeling that , first through illness and then through his premature demise , he had been supplanted in his rights ( through ‘ natural ’ causation , we emphasise ) , much as Jacob supplanted Esau 's rights so many centuries ago ( through devious schemes ) . |
| 15 | In other words , the argument works equally against the view that we think in a kind of mental language , that mental sentences rather than mental pictures are the stuff of thought . |
| 16 | In other words , the representations which exist before cognitive ‘ representations ’ ( in the ‘ representational theory of mind ’ sense ) are of the input system variety . |
| 17 | These simple but extremely robust observations concern children 's knowledge that although a substance or display is changed perceptually — in other words , that the appearance of an object may change — properties such as length , area , volume , weight , number do not change . |
| 18 | In other words , when it comes to an attempt to understand how someone is likely to respond to a stimulus , a description of the stimulus in terms of its simple physical dimensions is not going to be of any value . |
| 19 | In other words , according to the neurophysiological CTP , sensation , perception , experience , consciousness , are intimately related to , or even boil down to , large numbers of trains or patterns of nerve impulses . |
| 20 | Psychophysical laws , in other words , provide no independent evidence for a physical basis of perception . |
| 21 | In other words , the perception is a mental effect that is at one step in the causal chain beyond the physical events . |
| 22 | A further telling argument against the dual aspect theory - and one that has been rarely noticed — is that ‘ aspects ’ are relative to viewpoints ; in other words , they emerge posterior to perceptions . |
| 23 | Why , in other words , should perception be of the perceived object rather than any other object in the causal chain further back in the causal chain ; why every perception should not be of the Big Bang that started off the Universe . |
| 24 | A parallel attraction of the theory is that it seems to constrain perception to be true — to be only about things that impinge on the nervous system ; that are , in other words , ‘ really there ’ . |
| 25 | In the past , some purists have said that all surface decoration applied to designed objects — all ornament , in other words — must be based on motifs which look flat , ie. they must not be drawn with a third dimension : you are allowed to make a pattern out of squares , so to speak , but not cubes . |
| 26 | In other words , the regions were both production and marketing organisations . |
| 27 | In other words , they must take into account another meaning of the word structure ( see page 70 ) in the sense that it is the basic framework fur the choreographic design . |
| 28 | In other words , the choreographer should set out to create a particular style for the whole dance design , yet within it be free to vary the way of performing a step without breaking away from or distorting the overall rhythmic quality and phrasing of his enchaînements . |
| 29 | Or must they remain part of the ‘ mass ’ , in other words the corps de ballet , because they are needed to create the proper atmosphere , state the location , suggest the mood and very often respond to whatever is taking place ? |
| 30 | In other words , what happens at the beginning of the story states why the relationships between two or more characters lead to confrontations which continue onwards to a climax and finally draw the ballet to a suitable conclusion . |