Example sentences of "[is] the " in BNC.

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31 Hers is the head upon which all ‘ ends of the world are come ’ , and the eyelids are a little weary .
32 From Germany there is The End of the History of Art ; from Britain a group of essays describe The New Art History ; from the United States has recently come Rethinking Art History : meditations on a coy science ; and from Canada there is a forthright title Art History : its use and abuse .
33 There is the theory of art , and there is aesthetics ; there is writing about artefacts which may or may not be categorised as art , but are in the hands of the archaeologist or the anthropologist ; and there is art appreciation .
34 Interpretation is the heading which is the most wide-ranging of the three elements , including questions of form or style , but perhaps additionally considering the work 's historical background , and technical , thematic or other questions , including the artist 's biography .
35 Interpretation is the heading which is the most wide-ranging of the three elements , including questions of form or style , but perhaps additionally considering the work 's historical background , and technical , thematic or other questions , including the artist 's biography .
36 By ‘ modernity ’ I mean the ephemeral , the fugitive , the contingent , the half of art whose other half is the eternal and the immutable .
37 The real benefit of reading Baudelaire himself on the art of his contemporaries is the chance of recovering some of the excitement the poet felt .
38 Which is the greatest of these great men who differ so much from one another ?
39 He was a successful lecturer , much in demand , and put lectures together to make up books ; certainly a book is the ideal medium for a critic 's extended advocacy of an artist .
40 He wants to escape to the world of memory-residues , of disconnected images , for that is the world of fantasy , the world of fairy-tales and myths …
41 The compiler 's main critical medium is the catalogue , and rather less often articles or a book .
42 To the question , therefore , which ought to hold the first rank , Raphael or Michelangelo , it must be answered , that if it is to be given to him who possessed a greater combination of the higher qualities of the art than any other man , there is no doubt but Raphael is the first .
43 The medium of an art critic as theoretician is the magazine or journal article , not necessarily in a publication specialising in art .
44 Deciding where is the beginning can be a trouble for an art historian .
45 He is the first of a long line of distinguished French portrait sculptors .
46 the figure is much destroyed from the waist down ; but the noble torso , and especially the head , express that compassion and humility which is the great achievement of Buddhist art . ’
47 The subject of this study is the disintegration of the Renaissance .
48 Among recent successes is the notable pelican series , whose titles are varied between civilisations ( say , Japan ) , countries ( say , France , 1500 — 1700 ) , and international themes ( Ars Sacra , about medieval Christendom ) .
49 The author is the English scholar Arthur Hind .
50 Another book about the age of Dürer , but on a different topic , is The Limewood Sculptors of Renaissance Germany , by Michael Baxandall , published in 1980 .
51 The best preliminary plan may be for the reader to open the book upright at ( the illustration ) and then go to the other side of the room , to be imposed on from a distance : it is the nearest the book can offer to the proper first encounter with the figure .
52 A theme where personal psychology is necessarily absent is the Christian subject of the Madonna and Child .
53 ‘ Saturn is the planet of melancholics , and Renaissance philosophers discovered that the emancipated artists of their time should have the characteristics of the Saturnine temperament ; they were contemplative , meditating , brooding , solitary , creative . ’
54 ‘ Mercury is the patron of cheerful , lively men of action .
55 The novel Lust for Life by Irving Stone , published in 1934 , is the most famous of these productions , popularising a vein of interpretation established early in the century by some of Van Gogh 's first advocates , such as the taste-maker Julius Meier-Graefe , who defended Van Gogh in 1906 , and went on to write a book in his praise in 1921 called Vincent .
56 Another aspect of the matter is the question of scale .
57 There is the possibility of misinterpretation by the reader .
58 Is this a king who is the shepherd of his people ?
59 The ancient , weathered oak is the main motif , a theme as much used and loved by the Romantic poets and painters as the old willow tree .
60 But one feature of a catalogue of an exhibition for a living artist which is different is the likely inclusion of reminiscences from colleagues and members of the artist 's family , who may make enlightening comments .
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