Example sentences of "or [noun] [verb] we " in BNC.

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1 We might conceive of the aside as occupying a zone midway between the play and the audience ; we continue to experience the play , but we do so via the new information or attitudes given us by the character or characters speaking the asides .
2 Language provides the vehicle for this , and the syntax and content of the recall or response tell us much about the way the individual thinks and remembers .
3 ‘ Whether the birthing chamber is a hospital operating room or our own bedroom , most of us enter without any previous experience or images to guide us .
4 Each tail movement or posture tells us ( and other cats ) something about the animal 's emotional condition and it is possible to draw up a ‘ de-coding key ’ , as follows :
5 However , any letters we send or telephone calls we make in connection with your overdraft will in future be free which , we hope you will agree , is good news .
6 Whatever your needs or circumstances give us a ring now !
7 ‘ But time and again , chances for wit are lost through faulty emphasis , sheer inaudibility or reluctance to let us anticipate a line . ’
8 Similarly , when individuals or organisations offer us extensive personal collections or archives , some thought must be given to their research potential and their contribution to the national heritage profile of the collections , in relation to the Library 's capacity to store , preserve , catalogue and make available the material in question .
9 As an example — when an infill mailshot is taking place that may generate hundreds of responses by phone , or post do we
10 I do n't think we 've got apricots or walnuts have we ?
11 Nothing about " what it is like " to see blue or red tells us which light has the longer wavelength .
12 Do n't want to go to Ringwood or Woodchester do we ?
13 That 's what made us play up , people just sitting there , not able to go up to the STU [ occupational therapy ] because there was n't enough officers or staff to take us .
14 The aesthetic theory of foregrounding or de-automatization enables us to see the references to TRANSPARENT and OPAQUE qualities of prose style ( see 1.3.1 ) as more than vague metaphors .
15 Inevitably , the absence of a sense of completeness or fulfilment leaves us dissatisfied and forgetful of what we have heard .
16 We had no friends or family to accompany us to the church .
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