Example sentences of "[prep] [art] [adj] stone ' " in BNC.
Next pageNo | Sentence |
---|---|
1 | ‘ Miss You ’ is a v fashionable romp through the Rolling Stones ' 1978 hit with , amazingly , no DJs , edits or bleeps on it . |
2 | She was promptly dubbed ‘ Ruby ’ , as she was found on Tuesday and reminded Hansom of the Rolling Stones ' song Ruby Tuesday . |
3 | Co-produced by band members Harriet Wheeler and Dave Gavurin ( pictured ) , ‘ Goodbye ’ is backed by another new track , ‘ Noise ’ , and a version of The Rolling Stones ' classic ‘ Wild Horses ’ . |
4 | The track , a cover of The Rolling Stones ' ‘ Honky Tonk Woman ’ featuring the vocals of Spider Stacey , is issued through WEA on May 11. 12″ formats are backed with two previously unreleased tracks ‘ Curse Of Love ’ and ‘ Infinity ’ , while CDs carry a rare '85 B-side , ‘ The Parting Glass ’ . |
5 | ‘ Rooster ’ comes to the compilation courtesy of The Rolling Stones ' 1964 remake of Howling Wolf 's original , yet I doubt any of these would recognise the song from the Reid boys ' howling assault on it . |
6 | The single , taken from the band 's multi-million selling ‘ Achtung Baby ’ album appears in ‘ Temple Bar Edit ’ form , backed by a cover of The Rolling Stones ' ‘ Paint It Black ’ . |
7 | A thunderous , psychedelicious affair , ‘ The Storm ’ floats along on the ghostly groove , touching on early '80 's electro pop , a late-'80s dance feel and even the danker ends of the late-'60s trip , while the B-side offers a spruced-up version of The Rolling Stones ' ‘ She 's A Rainbow ’ . |
8 | A thunderous , psychedelicious affair , ‘ The Storm ’ floats along on the ghostly groove , touching on early '80 's electro pop , a late-'80s dance feel and even the danker ends of the late-'60s trip , while the B-side offers a spruced-up version of The Rolling Stones ' ‘ She 's A Rainbow ’ . |
9 | One could distinguish , for instance , the rift song ( Led Zeppelin 's ‘ Whole Lotta Love ’ ) ; the call-and-response or antiphonal song ( the Who 's ‘ My Generation ’ ) ; the tension/release song , built on an alternation of narrative or repetition and lyrical release ( from Elvis Presley 's ‘ Jailhouse Rock ’ to the Rolling Stones ' ‘ Satisfaction ’ , ‘ Sympathy for the Devil ’ , ‘ Jumpin' Jack Flash ’ , and many others ) ; and a revival of its close relative , the verse-and-refrain song form ( probably derived from ‘ folk ’ traditions : many of Bob Dylan 's songs are classic examples ) Altogether , then , at this macro-structural level it is certainly true that almost all popular music works within the sphere of the known . |
10 | Autonomy for the London staff was not one of his priorities , but a connection with Jagger was , so the paper was , initially , based at the Rolling Stones ' offices in Maddox Street , Mayfair . |