Example sentences of "but how do we [vb infin] " in BNC.

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1 it 's so new to them that they 're bothering to cost it , but how did we go on in the older days ?
2 Of course Red Indian ( Native American ) women have often been kissed in movies by cowboys and soldiers , but how do we think a six-foot-three-inch Masai , almost naked , kissing a French woman will play ?
3 But how do we ensure that ‘ long-term ’ computer storage media are usable after the elapse of such a period of time , and how would the PRO or departments cope with accessing and appraising such a vast amount of material to make a selection ?
4 But how do we show change ?
5 These are sensuous pleasures at their most enjoyable when we ritualise them , but how do we feel when we desire them ?
6 But how do we do it ? ’
7 But how do we give a new impetus to that development ?
8 But how do we recognize a genuine or a profound understanding of society ?
9 It is all very well to use the language of manipulation or indoctrination but how do we know that this in fact is what happens ?
10 But how do we know that it is vocationally advantageous to study history or to put it the other way round , that to study history is not vocationally disadvantageous ?
11 But how do we know in which direction to head ?
12 But how do we know this to be so ?
13 Now a daft question in a way but how do we know it 's Tower Bridge ?
14 And a lot of these organisations , it 's very difficult , because there are many that a lot of people are in favour of , like , well , take King George 's Fund for Sailors and so on , but how do we know , I mean , there might be two people they might help in Oxford over the course of the year .
15 But how do we get it to him ? ’
16 But how do we get some feel for spans of time stretching into millions of years ?
17 But how do we get on it ? ’
18 But how do we get that across ?
19 But how do we get to the ideas of self-knowledge and self-liberation from the two previous levels of rationality — groundedness and enlightenment ?
20 But how do we gain access to Renaissance culture , especially when our readings of the texts that document that culture indicate that a process of necessary counterfeit may have played a part in determining how these texts inscribed their culture ?
21 But how do we sustain , in prose or verse , a feeling that is intensely personal , not obviously called up by something ‘ on the outside ’ but which seems to be embedded deep within us ?
22 But how do we find it ?
23 But how do we unscramble our feelings ?
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