Example sentences of "you have [verb] at [art] " in BNC.
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1 | You have appeared at a time when things are rather … odd . |
2 | A measure of your success in a coaching session is when the subordinate feels the discussion has been between two equals and that together you have arrived at the best course of action . |
3 | And I need you to sign a consent form before you go as you have spoken at the meeting , okay . |
4 | We come back to in fact it 's the first par , again it 's the first part of thirty three , that you have looked at the question , or the possibility of expanding existing towns and villages , and as I read it , you have rejected that , er and therefore you see the only satisfactory method of providing land to meet the figures for the Greater York would be by a new settlement , this is the outstanding balance . |
5 | If , however , you have started at the Bar , there is no reason why you should not apply for any local government post that tempts you . |
6 | You have to start at the top of the town that way , and go down over down and come round like that , finish off start down Norwich Road and come up Bury Road . |
7 | But now you have to begin at the other end and tell the story in a straight run through the eyes , or over the shoulder , of the " detective " figure . |
8 | ‘ But you have to look at the pattern as a whole , ’ he points out . |
9 | To decide whether or not the increases are realistic , you have to look at the expenses side . |
10 | You have to look at the whole team for that . |
11 | Erm and it , it was us , I mean not only do we , I mean we develop her a a response , that means , we , we work with Councillor 's we work with Senior Officer 's in other departments and we look at the policy angles , like for example with , with that piece of legislation , when , when we first realised what the impact for that legislation was , it was gon na mean that we were ten million pound short in our housing money basically , that was , that was what it looked like on the surface and you think oh my god how you gon na make up for that short fall , that would mean an eleven pound a week rise in rent , that 's what it worked out as , so , well we ca n't do that , how , and then you have to look at the legislation and you say what are the loop holes here , and erm , and it involves contacting outside organisations and getting there opinion and finding out what other Council 's are doing and responding to things like this , and we did come up with a way , of , of reducing that deficit , but that 's the kind of thing we do . |
12 | In order to fill this in , this little er section you have to look at the er the chapter that they recommend you , er Saint Matthew 's Gospel chapter twenty eight . |
13 | We can cut money off , let's make some easy quick decisions about cutting money off , let's chop out the arts you could do that on one line easily and I think you have to look at the long term you have to look at what happens in terms of our culture , our civilization if you do do that , how people change and to me it 's about and that was raised last night too about how an saying that they had put a limit on the cost of opera tickets forty pounds , compared |
14 | Like all these things you have to look at the bright side . |
15 | I 'm not I do n't necessarily want to dispute them erm all I would say is that we have to look at the implications do n't just look at the change in the traffic flows and take them as a as a point , you have to look at the implications of those changes in traffic flows . |
16 | erm er portraits of , er men you have to take i it that erm we could argue Charlotte Bronte was very critical of the men she knew and , the men she thought she might know , and did n't erm , you have to look at the women who feed into the making of them |
17 | You have to look at the availability of funds . |
18 | You have to look at the way in which children learn , and the principle vehicle through which children learn is associated with visual symbols , and later with the written word . |
19 | You have come at the wrong time . |
20 | The reader has identified with the person you have put at the centre of your story and that person must , for the reader 's satisfaction , bring off the final solution . |
21 | It is by no means altogether improbable , for instance , that some ordinary person on the periphery of a murder should be so disturbed by some apparent contradiction of character that he or she feels obliged to talk about it to others involved , and thus gradually comes to unearth the secret of character you have put at the heart of your story . |
22 | For cinemas , you have to guess at the popularity of a given programme : it is , however , possible to buy PG or 15 or 18 only and , now , individual films , while you can also buy an Audience Delivery Plan , guaranteeing a number of admissions . |