Example sentences of "he [vb -s] into [art] [noun] " in BNC.

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1 Frustrated by his lack of social acceptance he retreats into a world of fantasy and self-delusion … with tragic results .
2 It 'll be up to him whether he throws me to the dogs and I finish up in a debtor 's prison , or whether he turns into a guardian angel complete with halo and big fat cheque .
3 Coleridge recognises the power and excitement of this world , but it is in the second stanza , when he delves into the folds of this metaphorical brain that we see him striving to express the very essence of creativity .
4 At Ann 's he goes into a rant about the people of Pinner Green who are annoying him .
5 He goes into a restaurant and he says oh the waiter erm let me see the menu and he looks at the menu and said right , he said .
6 An infra-red scanner winks its inflamed eye at him as he goes into the lounge in search of reading matter .
7 Dan man you 've got th Dan you know the tape that we were recording last night , you 've got ta hear it yeah there 's this bit , yeah , where erm Alex just walks off yeah with the Walkman yeah and he goes into the toilet
8 Just as Tite himself , it occurs to me , is going to be doing when he goes into the witness-box at Summerchild 's inquest later that summer and tells the Coroner — I turn back in my file to the copy I took of the cutting — that Summerchild was working on conditions of employment in the Civil Service at the time of his death .
9 no the gourmet like detective yeah and they come in and they go God that was a tough crime and he 'd go after a crime I like something to eat and then he goes into the kitchen and he 's going
10 and that 's put on and if , we say for argument sake that er she was married , we know she 's not , but she could be and her banns are in and her husband gets wind that she 's getting married again , you know , so he goes into the registrar office has a look , and she 's already married to me and this is what it 's for
11 He goes into the bedroom and puts on a clean white shirt and a suit .
12 Individuals have different needs , and these will differ according to their situation and time of life : a young graduate may have a strong need to sense that she or he fits into an organisation , while a middle-aged employee facing redundancy may have future security as a main priority .
13 I confess to him that I have never done Kipling Groove and he launches into a celebration of Arthur Dolphin 's famous classic .
14 I never forget a face — ( He looks into the SPY 's face ) … not that I know yours that is .
15 From a hot-head who has done time for killing a man , he develops into a union organiser who discovers the eloquence his new role demands .
16 As soon as they mount , he dashes into the water — at best he will give them a ducking , at worst he will drown and then eat them .
17 When left alone with the tape recorder for two minutes , he says into the microphone : ‘ Is it on ? …
18 He passes into the kitchen without a word .
19 His change of bank with the same g sends his nose up and he climbs into a barrel roll .
20 Boswell does not say which of them raised the question of biography , and somewhat out of context he leads into a comment from Johnson : ‘ Nobody can write the life of a man , but those who have eat and drunk and lived in social intercourse with him . ’
21 Given this topic framework , J is constrained from talking about these things unless he introduces into the topic framework some additional information which he could then treat as shared by his hearer-that one of his brothers had gone to Australia to train as a brain surgeon and he considered doing the same , but settled for bricklaying instead .
22 ROS raises himself on his elbows and shades his eyes as he stares into the auditorium .
23 Unexpectedly three of the seven items are of Mozart-an early little sonata which he magicks into the status of masterpiece , as well as the late B minor Adagio and Rondo in D. The best-known of Schubert 's Moments Musicaux , the little F minor , is given a chirpily personal reading , before he tackles three Liszt pieces , the Fantasy based on Schubert 's Serenade as well as the Valses-Caprices nos 6 and 7 .
24 The leader may also do a lot of listening but have the qualities , lacking in the others , of putting what he hears into an initiative .
25 And er I gets him down and I gets him into the stable , and I gets all the clothes off him and he gets into a bag , a bran bag , more bags and lay down and covered himself , and I hung his clothes round the boiler fire .
26 ‘ But if he gets into the Southampton match he 'll just have to cope . ’
27 He gets into the shower with me .
28 He is frightened that when he gets into the corridor he will start crying like the twelve-year-old boy .
29 He gets into the back seat and he 's got his feet over the fr the front seat steering with his foot
30 I say ‘ Happy Christmas ’ back and then he gets into the van and they drive off .
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