Example sentences of "[coord] we [vb base] [art] [adj] " in BNC.

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1 Either we can know the position exactly , in which case we sacrifice all specification of momentum , or we make the converse choice .
2 She-She : " If you give the fifty cash , then seventy-five on the card plus the credit supplement which is 15 per cent else we lose on the rental or we have a spa-cheque policy which works out the same minus the 15 per cent with a ten-dollar supplement .
3 Sometimes we have problems finding a referee , or the perfect referee has gone to sea for a month , or the referee loses the figures and takes three weeks to ask for copies , or we have a furious debate over a paper at the hanging committee and decide that we need another specialist opinion .
4 Still to come : a full round up of the day 's news from the City , and we preview the first of the season 's major snooker tournaments .
5 We also see that teaching will build people up and we make a small amount of time after worship for this also .
6 But the paradox goes like this — I mean any form of it is as follows : proteins , as most of you know , are strings of amino acids and we make a whole series of quite specific proteins .
7 We thank Hilda and Isabel most warmly for their work , and we wish the new President , Peggy Secord , and the new Chairman , Pauline Kenward , every success .
8 Instead we appeal to those with some concern about the state of the world and we get a warm response .
9 We have taken an unphysical picture and we get a nonsensical answer .
10 Tight , metallic-funky backbeats provide solid grounding for swooping other-worldly guitar and sinister soundings synths ( ‘ Fractal Zoom ’ ) , bonkers screech-guitar effects give a post-holocaust mambo feel to world music ( ‘ Wire Shock ’ ) , '50s cocktail jazz gets an outer space-meets- Twin Peaks overhaul ( ‘ Pierre in Mist ’ , ‘ Juju Space Jazz ’ ) and we get a welcome return to the weird pop vibe of ‘ Before And After Science ’ in the space nonsense of ‘ The Roil , The Choke ’ and ‘ Ali Click ’ .
11 we plot this this horrible lot against theta and we get the usual wiggly
12 The base wood of the plant therefore grows higher each year and we get the familiar ‘ bush rose ’ consisting of 1 ft ( 0.3m ) , 2 ft ( 0.6m ) or even more of old , bare and barky wood , with the current year 's bloom-bearing growth starting from way up in the air !
13 I 'd just like to elude to the er positive string on exchange , we take our profits in during the year at an average rate , but the cash benefit obviously er year on year is , is better than that er to the extent that the erm dollar has strengthened throughout the year or by the year end against the pound and we get the full benefit of that in our cash flow .
14 And we salute a super champion in King Richard 's Geordie Hughes .
15 And we receive a steady income from interest on Third World debts .
16 This hot cloth help ease pain , and we put a new hot one on every two hours until the pain has gone completely . ’
17 as new pro as old projects went we threw the old one away and we put a new leaf , loose-leaf sheet in .
18 What , we want big acceleration and we put a big force .
19 In the car and we put a little bit of plaster on and everything
20 and we put a little sex appeal into it and turn it into what I thought was a very contemporary , viable and graphic arts piece that would be very broadly hung on the wall and used .
21 ‘ For years British players have moaned at the LTA , now we have a proper national training centre and we await the real success story , ’ said 1977 Wimbledon champion Wade .
22 Or symbolically , if we let $ be the set of sentences in language L , C the set of possible contexts , P the set of propositions , and U the cartesian product of S x C — i.e. the set of possible combinations of members of S with members of C , and we let the corresponding lower case letters stand for elements or members of each of those sets ( i.e. s e S , c e C , p e P , u e U ) : ( 16 ) f(u) =p ( or:f ( s , c ) = p ) i.e. f is a function that assigns to utterances the propositions that express their full meaning in context Gazdar ( 1979a : 4-5 ) , on the other hand , wishes to capture the ways in which utterances change the context in which they are uttered ; he shows that Katz 's formulation is incompatible with that goal , and therefore suggests instead : ( 17 ) f(u) c ( or:f ( s , c ) c ) i.e. f is a function from utterances to contexts , namely the contexts brought about by each utterance ( or : f assigns to each sentence plus the context prior to its utterance , a second context caused by its utterance ) The idea here is that the shift from the context prior to an utterance to the context post utterance itself constitutes the communicational content of the utterance .
23 And we take a long range view if you 're heading on the motorways this afternoon .
24 Our heart pumps faster , and we take a firm grip on the large , green-and-white golf umbrella by which Denice has been told to recognize us .
25 Evidently I did not see fighters go down that day but I know they did but this was a first realization as if there was somebody up there to kill me and I guess this is the point at which you realize that you are going to kill them before they kill you and all of a sudden we are in combat all our lives and we take a complete change in outlook from everything because up to now everything had been practise and training just for this except we did not have that realization that they are there to kill us , who 's gon na be killed first ?
26 And we take the second year 's , this is a sales pitch , we take the second year 's payment a year later .
27 The gross savings rate out of output Y is assumed to depend on the capital-labour ratio ( the nature of this dependence is discussed below ) , and we take the simple case of a proportionate rate of depreciation , y , often referred to as ‘ radioactive decay ’ .
28 So if we get to the all play and we win the all play we 've won .
29 We are heartbroken when death comes in its ugly presence into our homes , and we dislike the unpalatable fact of impermanence .
30 Sheffield Park is a large garden and we use a considerable amount of compost in a year , so our compost heaps are of ample proportions , each one being approximately 18′x 14′ x5′ high .
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