Example sentences of "[adv] [adv] it [vb -s] the " in BNC.

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No Sentence
1 So really it sounds the sort of thing that 'll be nice for you and I to go really just to get away from the children .
2 There 's no danger of the river rising so fast it floods the course as it sometimes does but sadly as you can see , rain overnight and it 's raining now .
3 This is not simply a problem which affects writers and journalists , but more importantly it plagues the lives of people in those regions , and those in government who try to plan for the future .
4 ON the edge of limestone country , Ease Gill is classic limestone : at its lower end it is a dry " alley with an impressive cavernous " kirk " , and further upstream it has the waterfall at Cow Dub where the beck leaves a pure white flowstone bed to drop twenty feet through a collapsed cavern into a deep pool where it is again cupped in limestone .
5 The more History attempts to transcend its own rootedness in historicity , and the greater the efforts it makes to attain , beyond the historical relativity of its origin and its choices , the sphere of universality , the more clearly it bears the marks of its historical birth , and the more evidently there appears through it the history of which it is itself a part … inversely , the more it accepts its relativity , and the more deeply it sinks into the movement it shares with what it is recounting , then the more it tends to the slenderness of the narrative , and all the positive content it obtained for itself through the human sciences is dissipated .
6 More often it involves the purchase of an operational division or the purchase of one business owned and operated by a multitude of different companies within a group .
7 More often it takes the plural form , indicating partition of the property between co-heiresses , like Agnes Chaplayne and Beatrix Salesbury at Gayhurst , Bucks .
8 Once again the assassin feeds and once again it uses the left-overs of its meal as a bait to attract another victim .
9 Released worldwide on all formats on November 24 ( Sonic Tuesday , apparently ) , once again it sees the animal libber hedgehog taking on the evil Dr Robotnik through a series of worlds ( The Mystic Cave , The Toxic Plant Zone etc ) .
10 More specifically it considers the contradictions of , and the prospects for , international economic co-operation , especially macro-economic co-operation .
11 The transnational capitalist class is a bridge between the nation-state and the global system and the more assiduously it brings transnational practices into what were once the realm of the regional or the national , then the more faithfully it serves the interests of the system .
12 Partly too it reflects the ability of small business to mobilize their LDP connections to oppose planning applications for larger stores .
13 Often enough it takes the same form as with Beerbohm : the affectation of an anachronistic ignorance about what life in North America is like .
14 Even so it seems the Czechs are more worried about the tie than Airdrie .
15 " But oh " may be a somewhat pallid rendering of ( ) , yet still it signals the crucial turn in the poem 's argument .
16 French channels may buy BBC and Independent TV company programmes and in 1986 the Hersant Berlusconi ‘ le Cinq ’ imported programmes made for Berlusconi 's Italian channels , yet otherwise it seems the four major European countries — Britain , France , West Germany , Italy — buy relatively few programmes from one another : for one French-made ‘ Chateauvallon ’ , there are 10 Australian ‘ Neighbours ’ or 100 US ‘ Dallas ’ and ‘ Kojak ’ on UK television channels .
17 Yet again it confirms the moral supremacy of conservation in the inner city , the days of large bureaucracies forcing gross modernist buildings on the community look to be past .
18 It effectively cuts off the land the open agricultural land from these two fields and therefore visually it makes the paddock more part of Skelton Village .
19 At the very least it prompts the response ‘ What elements of the media ?
20 But since such progress is conceived as immanent to musical history itself , independent of variants of musical practice , social usage and reception , the theory moves dangerously close to a hypostasis of technique ; at the very least it confines the relationship between musical and social structures to the level of the longue durée , since at that level society is ‘ encapsulated ’ in music , while in between , music 's ‘ autonomous unfoldment … follows the social dynamics without a glance or any direct communication ’ ( ibid : 206–7 ) , still less putting itself at the service of particular social subjects .
21 Very commonly it provides the energy for the synthesis of vitamin D ( tortoises kept as pets in northern latitudes may find it difficult to breed because they are D-deficient ) .
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