Example sentences of "[verb] on at a [noun] " in BNC.

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1 Well , you could have put that scene he made on at a theatre in the West End and charged for tickets , I reckon .
2 ‘ And , you know , I have n't the faintest idea of what actually goes on at a baby farm .
3 Still they waited , as the Scots came on at a canter .
4 The foundry 's most famous loco was the Derwent of 1845 , which worked on the S&DR until the 1860s and soldiered on at a colliery until 1891 .
5 They 've seen the introduction of performance related pay , personal contracts , new working practices , pay freezes , pay cuts and always the fear of redundancy and all of this has been going on at a time when increasingly companies are withdrawing from national collective agreements , are establishing separate bargaining arrangements , restricting the activities of trade union officials and increasingly de-recognizing trade unions .
6 ‘ You do n't half keep on at a girl , ’ said Dolly .
7 Nicholson wanted to loiter with the man who — in his eyes — could pluck with ease a flower he could only look on at a distance .
8 She caught the reins or bridle in her hands , and there hung suspended for a second as Anmer rushed on at a speed of over thirty miles an hour .
9 Some of these ‘ emotional bindings ’ go on at a level below the surface of normal awareness .
10 Two were carrying on at a polytechnic , and one was training to be a teacher at a college of Higher Education .
11 He had had enough of carrying on at a snail 's pace .
12 I well remember a young man who aroused special interest one weekend because he had been taken on at a place which had a certain reputation .
13 Although twilight had not yet come , the lights of the fair were switched on at a quarter past six , and the first strains of music from the roundabout spread the news that Mrs Curdle 's annual fair was now open .
14 The problem for Galileo was that , once suspicions were aroused , the machinery of censorship could be switched on at a moment 's notice .
15 Instead he stayed on at a factory .
16 The expressive exuberance of marks is noted along with the predominance of red , with the paint ‘ … rasped on at a stroke or teased into fuzzy blotches ’ .
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