Example sentences of "[verb] we [vb infin] the [num ord] " in BNC.
Next page| No | Sentence |
|---|---|
| 1 | Let us leave the last words with Walter Abish who declares that ‘ the innovative novel is , in essence , a novel of disfamiliarization , a novel that has ceased to concern itself with the mapping of the ‘ familiar ’ world ’ ( Martin 1983 : 238 ) . |
| 2 | Let us leave the last word to Nietzsche , whose cruel intelligence is quickened only by the taste of bitter truths . |
| 3 | Let us make the fourth choice — which actual apartments you 'll be staying in — and you 'll find yourself with a whole lot more holiday spending money into the bargain . |
| 4 | Let us examine the first two phases . |
| 5 | Let us explore the first of these words — ‘ encounter ’ . |
| 6 | If we have such problems with adult humans with whom we can talk , let us ask the next question . |
| 7 | Let us take the second half of his concluding sentence first . |
| 8 | Let us take the last point first , because land use itself , irrespective of how the fields are arranged or under what system they are worked , has interesting implications . |
| 9 | Let us take the last five for which the right hon. Gentleman has been responsible . |
| 10 | Who did we see the last time we were here ? |
| 11 | So it 'll be what , what did we say the tenth what did we ? |
| 12 | What happens now do we try the next all play ? |
| 13 | It is perfectly true that there is nothing conclusively in the poem to make us identify the first stair with Dante 's Inferno , the second with his Purgatorio , the third with Paradiso ; as there is not ( a more piercing uncertainty ) anything to determine for us whether ‘ the broadbacked figure drest in blue and green ’ , with his ‘ music of the flute ’ , is an image of what must be renounced in order to achieve Paradise , or else an image of how terrestrial life can most nearly attain the paradisal . |