Example sentences of "[verb] [pron] in as [art] " in BNC.
Next page| No | Sentence |
|---|---|
| 1 | ‘ It is true , ’ Dubois continued ‘ He asked me in as an advisor , and I realized at once that they were not the work of the Bizango . ’ |
| 2 | Er , well , she she 's not being supported by the commission for year one , and in fact she wo n't be supported for year two either , so the thing that , I I 'm I 'm I put it in as a potential budget |
| 3 | They would only have had you in as a last resort . ’ |
| 4 | ‘ He was calling you in as the ultimate specialist . |
| 5 | ‘ Husbands and wives … oh , no , you did n't sign us in as a married couple ? ’ |
| 6 | It was decided that he would take me in as an apprentice to old Bill ( Mr Carswell ) . |
| 7 | ‘ All you have to do is drop your opposition to my development plans and I 'll take you in as a partner , ’ Sugden urged as he mopped the orange-coloured dribbles off his chin . |
| 8 | But the authorities take all complaints seriously , which leads some constables to fear ‘ the flippin' solicitor 's letter ’ ( FN 5/10/87 , p. 16 ) , although one middleranking officer once expressed considerable sympathy for the post — tion some police constables find themselves in as a result of being hedged ( as they are in Northern Ireland 's more unusual position as a divided society ) between authorities who are exceedingly sensitive to complaints against the police and a public which has sections eager to complain , even in Protestant-dominated Easton . |
| 9 | That 's why I object strongly to the Office 's plugging me in as an Automatic Nurse for one night ! ’ |
| 10 | ‘ He wheeled me in as the star turn , ’ said Lydia indignantly when she got back . |
| 11 | ‘ You can put it in as a footnote , ’ said Tim , ‘ and they 'll think how intelligent you are . ’ |
| 12 | Right , what we 're now going to do is incorporate that dummy variable as the regressor in our model as an explanatory variable , so what 's going to happen is that that dummy variable is turned off , alright in the first part of the sample right up until the war that dummy variable 's going to be off , right so it has a value of zero , right , then in nineteen forty through to nineteen forty five it 's switched on and what it 's going to do is to pick up any differential effects , right , in the intercept between wartime and peacetime right , we 'll talk a little bit more , more about that in a second , we 're going to add it in as a regressor , right , because it only comes on during the wartime it will pick up any shift in the intercept , right , that occurs due to the war if there is one , of course there may not be but it 's quite likely that there , there may well be , so if you type Q to come out of the data processing environment , go back to the action menu and test estimate forecast okay at the dialog box just add D one to your list of explanatory variables , alright then press the end key , right , yeah we 're gon na use the full sample right , we gon na use O L S , right you have now estimated the model with this dummy variable now just to see what 's happened to those coefficients the er incoming elasticity was at nought point six is now doubled right to one point one four more importantly , right , its T ratio has jumped from one point eight five right to six point eight , as a result , we now say that the incoming elasticity , the income coefficients , right , the significant zero , it 's important to explain the textiles as such the er , we are now getting a very different estimate for our |
| 13 | However good scenery is not one of the major virtues on the critical scale ; many published opinions throw it in as a sop , a makeweight to balance what they see as much more serious flaws deep in the heart of the Tolkienian ‘ fable ’ , in the essential story of The Lord of the Rings . |
| 14 | slew him in as a lifer at San Quentin . |