Example sentences of "[pron] [verb] us to the " in BNC.

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1 What Housman has given us is a poem quite poignantly suggestive of that sense of private and personal loss that runs through so many of his lyrics ; a poem which refers us to the places and voices of The Other Shropshire , where the Graces go , and lads lie untimely in the earth .
2 Alternatively , it may be a prerequisite for the evolutionary development of intelligence — which leads us to the premonition that , in a few billion years time , there may be intelligent lugworms stalking the Earth .
3 It is this perspective which links us to the work of Goffman , Harre and Giddens .
4 The car which took us to the station drove as sedately as a Daimler in a royal procession although the people of Amsterdam were on their way to work and provided admirable subjects for baiting .
5 Which brings us to the next item , the String Quartet No 1 by Srul Irving Glick ( born 1934 ) .
6 Which brings us to the blockbusting Italy issue arranged by Morgan Stanley , the US investment bank which put together the first US-style issue in Europe with an offering for New Zealand in August .
7 All of which brings us to the text editor .
8 Which brings us to the Woman Problem .
9 Which brings us to the 1991 Rover 800 Series .
10 Which brings us to the most important constituent of the whole NME recipe that has seen us , scarred but hopefully unbowed , through 40 years — the readers .
11 Which brings us to the Old Bailey .
12 However , this line of argument still leaves unanswered the question why strikes are presented as they are , which brings us to the second of the points Hyman raised .
13 Which brings us to the Powerhaus , and the Boys ' latest Sinatra-style comeback .
14 Which brings us to the matter of World Rights . ’
15 Which brings us to the Powerhaus , and the Boys ' latest Sinatra-style comeback .
16 Erm , amateur societies just ca n't exist without loyal officers and those officers have shown their loyalty by s standing again and we know the special circumstances appertaining to the , which brings us to the nitty- gritty now erm you said we have , Tracy , five erm perhaps you 'd better read those names out for us and then I think the best thing to do is to have a closed vote , where we give you all a piece of paper on which you state your nomination folded up so nobody else can see we 'll put them in a bag and then we 'll appoint a couple of to count the vote so that we do not the chairman .
17 Which brings us to the film 's second major warning : Be careful how you chose your friends .
18 Sequencing is very often a the root of the dyslexic problem , not only in writing and reading , but also in remembering other kinds of sequence , like time sequence , which brings us to the next point .
19 ‘ Now that we have killed off Rex and Woodbum , we seem to have killed off our chances of having them lead us to the Presley hoard . ’
20 ( There ) ‘ we were met by the Viscount Walsh ( Chamberlain of the Emperor ) who led us to the apartment of the Baroness de Pierres ( ex Miss Thorne of New York ) who is now a lady-in-waiting to the Empress ’ .
21 ‘ Excuse me , , I said to an elderly gentleman coming towards us , ‘ can you direct us to the Gypsy Queen 's caravan ? ’
22 Can you direct us to the table please ?
23 ‘ Well , we do open to the public now , as you know , but oh ! the bills , and the staff want paying , ’ she said as she showed us to the door .
24 We were all absolutely fagged out , and promptly dropped off to sleep at 4 a.m. , only to be caught later by some children who betrayed us to the patrols .
25 Why did n't you invite us to the wedding , you bad man ? ’
26 She alerted us to the possibility that ‘ using collaborative methods of working ’ could also mean ‘ helping children to create collaborative activities for themselves ’ .
27 I remember when she took us to the pantomime in town , and we saved up all our sweets for three weeks to give her as a present .
28 I was just supposed to keep an eye on you and let you lead us to the enemy .
29 It is therefore Christ who presents us to the Father , and our salvation derives from him .
30 From the highly personalised work of Alexis Hunter and Maggie Jennings to the business of print making by Sylvie Turner and an introduction to women and print making by Pat Gilmour ( who introduced us to the innovative work of June Wayne ) .
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