Example sentences of "often [art] " in BNC.

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1 But often the person infected does n't notice anything wrong .
2 They inquire about the who , what , when , where , and why of the art object ; often the object itself suggests which of these questions should be pursued .
3 Some writing by artists takes the form of instruction ; in every period manuals on how to do it , whether drawing , making sculpture or other technical tasks are found , though their incidence is irregular , and such treatises are often the work of minor artists , rather than the great ; Leonardo is an exception .
4 Unfortunately it is often the case that writers do not allow themselves to be so free in autobiographical disclosures as to say exactly how they felt on seeing some work of art .
5 But this , too , is upper-class , this recital of exotic place-names — so often the spoor of the doughty , ascetic , astringent English traveller who has left his privileges behind .
6 Levi 's double life as chemist and writer suggests that if art and work need to be separated , according to a certain sense of what it is to be a Jew , art and work are nevertheless very often the same .
7 Quite often the stage element in TV plays sounds phoney .
8 As is often the case , some last-minute idea blossoms while what had seemed a brilliant solution and been pondered for ages falls quite flat .
9 And with the pub in particular some of the loudest siren voices proclaiming ‘ heritage ’ are often the very ones most intent on debasing its meaning for us .
10 Often the creation of the open plan interior requires the removal of walls , chimney breasts , stairs and other internal features of interest , which is highly destructive of the building 's historic character .
11 Given the propensity of many modern breweries and their designers to impose an overall , single-period ‘ look ’ , however , the Georgian fabric that does exist is often the first thing to be swept away — to make way for a sham-Victorian world of clumsy stained glass and ugly stained hardwood .
12 To an extent , this has always been there , but it 's important to raise the issue here because the most unfashionable person to help is often the person who is dying on your own doorstep .
13 Very often the soil is dry and hungry ( deficient in nutrients ) , especially near evergreens and vigorously rooting hedge species such as privet .
14 This is often the result of inexperienced people trying to give a helping hand to get the gliders out .
15 Too often the instructor may allow a take-off when there is an object to one side .
16 All too often the pilot has a plan in his mind and sticks to it even when it should have become obvious that the situation has changed and his plan is no longer feasible .
17 By this stage of a stall , very often the noise of the airflow will have increased because of the yawing movement , and most of the other symptoms will either be absent or will go unnoticed in the moments of panic .
18 Often the instructor or pilot knows the correct recovery and thinks that he is using it , but because of the unusual forces on the controls , he is failing to apply the full recovery action .
19 Often the pilot is lost and has been worrying for the past half an hour about where he is .
20 Often the pilot is in such a state of panic that the flying becomes dangerously inaccurate .
21 Worrying about people 's comments instead of keeping calm and concentrating on the flying and on getting down safely is often the root cause of a bad landing .
22 It is often the only sensible way of getting rid of extra height quickly if you are still tending to overshoot with full airbrake .
23 Often the periods are heavier than usual .
24 All too often the outside researcher pursues lines of enquiry which the prevailing culture manages to encompass and nullify .
25 Quite often the divisional boundaries in the amalgamated force mirror the old , small force boundaries and men define themselves in relation to their early experience with perhaps an inner city ethic , a large-town police style , or in the framework of a more rural situation .
26 Often the run-off zone is missing .
27 Often the referee does not hear the final bell and allows the bout to continue , but even if this does happen , no points can be scored .
28 It is , as is so often the case in criticism of Leonard 's work , a travesty of Pope 's high standards , a supra-imposing of the critic 's personal standards not dispassionate appraisal . )
29 So often the parties to disputes make the mistake of not being crystal-clear about the bottom line .
30 This may sound a somewhat highfalutin' way of making an obvious point ; but the obvious points are often the important ones : in this tension we find the limits of experience , beyond which we locate an objective universe and within which we locate subjectivity .
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