Example sentences of "do you " in BNC.
Next pageNo | Sentence |
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1 | AFRICA — WHERE DO YOU START ? |
2 | Do you support human rights in Rochdale ? |
3 | Patrick said : Do you know what I tell parents Arthur ? |
4 | And props ; what do you do about them at your audition ? |
5 | Why do you look on me ? |
6 | You foolish shepherd , wherefore do you follow her |
7 | How do you put that in a letter ? |
8 | He hauled me up to my tutor , who said , do you intend to marry the girl ? |
9 | Do you know what I mean by a relatively free press , Mr Wagner ? … |
10 | Do you know what you will do ? |
11 | Do you mean like that working-class culture thing ? |
12 | Do you feel that was the right way round for you ? |
13 | Do you think it a good idea coming into drama training direct from school ? |
14 | Do you have a preference for classical acting or the modern theatre at the moment ? |
15 | Do you think drama school should include more training for television and film ? |
16 | On reflection , do you think the audition process is a good one ? |
17 | You have come into a classical company which makes sense of that training but what other ingredients do you think vital ? |
18 | As a new young actor do you find that at Stratford you become part of a house style ? |
19 | What do you feel about working in the more modern style of play after your classical work with Stratford ? |
20 | What do you feel about that ? |
21 | Do you think the entry into Equity for drama students is unfairly organised ? |
22 | Do you think that training is essential ? |
23 | What do you think existing kinds of drama training do for the new actor ? |
24 | What do you think of the audition system generally ? |
25 | What do you feel about actors keeping themselves in step with training once they are in the profession ? |
26 | What do you recall that 's most important from your days as a drama student — which are about ten years ago ? |
27 | Do you think typecasting is inevitable in one 's early days as an actor ? |
28 | Do you think actors need to keep in training once they have graduated from drama school ? |
29 | Do you think actors now leaving training face greater difficulties ? |
30 | So for new actors coming into the business of acting what do you advise as the best possible course of action ? |