Example sentences of "[conj] perhaps a [noun] for " in BNC.
Next pageNo | Sentence |
---|---|
1 | These schemes , then , can be summarized under the following heads : we run residency and award schemes , we run grants to artists and craftsmen and photographers , we run an artists in school scheme , which involves placement of and artist for two weeks or so in a local secondary school , we offer payments to artists for exhibiting in certain galleries , something akin to the public lending right , we also provide assistance for the purchase and commissioning of contemporary work , and finally we run an artists ' register , which is a slide register of work of artists within the region , which is accessible to anyone who wants to come along and look at it , whether they are organizing an exhibition or thinking of commissioning a piece for their own living rooms , or perhaps a piece for their town hall or public library or whatever . |
2 | This is far from an argument that we should avoid such measures ( let alone empirical research itself ) but rather an argument for a continual critical assessment of them , and perhaps a call for better measures . |
3 | All he 's got is a set of scripts , if he 's lucky , some idea of who he wants in the cast , and perhaps a feel for how the show is going to be shot . |
4 | In my mind , I had a crazed vision of a composite creature , with iceboxes and radiograms and vacuum cleaners and electric chairs and telephone exchanges for nerve endings , trucks and aircraft and cranes and streamlined trains for limbs , and perhaps a Bomb for a brain . |
5 | At least there he would find painters , and perhaps a market for his paintings . |
6 | If ever there was a perfect Queen Anne house , here it is , and perhaps a reason for its extra glow is its delicate restoration by the Mildmay family who came to live here in the 1870s . |
7 | With regard to galleries , then , we aim to support a number of strategically placed centres in , say , Brighton , Farnham , Canterbury , Folkestone , St. Leonards and Eastbourne , sufficiently for them , each doing their own thing , in due course to be able to service a touring exhibition network , made up of themselves and the other regional galleries , be able to offer the artist whose work they exhibit or promote a fair deal — that means paying them for their transport , insurance , publicity costs and perhaps a fee for exhibiting their work in public — and finally to organize appropriate marketing and education back-up to their own exhibitions programmes , which both pulls people in to the gallery and reaches out to them in , for example , schools and industry . |