Example sentences of "[noun] takes [adv prt] [art] [adv] " in BNC.
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1 | Ivan Lendl takes out a freshly strung Mizuno frame with Babolat VS Natural Gut at every ball change — he notices the difference after just nine games . |
2 | The body of a cat when hunting takes on a quite different demeanour to that of the same pussy when out for an idle stroll or with some other intention in mind . |
3 | More stylish , more chic , more exciting than ever before , this spring afro hair takes on a totally new shape ! |
4 | Further on , the idea of being a gentleman takes on a very hard and unromantic shape . |
5 | When drawing children , you will find that the head takes up a much larger proportion of the height . |
6 | When drawing children , your will find that the head takes up a much larger proportion of the height . |
7 | When drawing children , you will find that the head takes up a much larger proportion of the height . |
8 | When drawing children , your will find that the head takes up a much larger proportion of the height . |
9 | TRAINING CENTRE TAKES ON A MORE COMPETITIVE EDGE |
10 | She apologises for her simplicity , giving a busy woman 's reason : ‘ T is true I write in shortened measure , Because I scrawl but at my leisure ; For why ? — sublimity of style Takes up a most prodigious while … |
11 | For one critic , the finale of Scriabin 's Fourth Sonata becomes in Gavrilov 's hands ‘ like foaming sunlight ’ and Ravel 's Gaspard takes on an altogether new drama and menace : ‘ suddenly ‘ Ondine ’ has claws , and in ‘ Scarbo ’ the knives were out ’ . |
12 | I will argue that a major readjustment needs to be made whereby the researcher takes on a more participative role working with and alongside practitioners and clients . |
13 | The only gain from what at times were acrimonious exchanges may be that the British Boxing Board of Control will renew its vigilance in the protection of its licensed boxers , before a campaign to stop boxing takes on a more menacing shape for those involved in the business . |
14 | Compositional autonomy is closed off in the sphere of avant-garde negation , while commodity musical production takes on an increasingly standardized character , coupling formula and fetishized effect in both ‘ serious ’ and ‘ popular ’ markets . |