Example sentences of "[noun] [prep] the first movement " in BNC.
Next page| No | Sentence |
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| 1 | The wartime Hallé ensemble and intonation are not always of the purest quality , and despite excellent remastering , the mono sound of Baxi 's Third Symphony was never exactly ingratiating , although an amazing amount of detail does register — not least the gleaming anvil stroke in the first movement . |
| 2 | Samuel Barber 's Violin Concerto dwells on the instrument 's lyrical potential , something which the Chinese violinist Hu Kun manages to a haunting effect in the first movement and the suspended-animation Andante . |
| 3 | So the second subject melody in the first movement is faster than usual , but with easy rubato it never sounds rushed ; songful rather . |
| 4 | I am sorry The Mozartean Players omit the repeat in the first movement of K542 , which is one of Mozart 's best Trios ' especially since there is plenty of room for it on the disc . |
| 5 | While happy enough to accept the Czechs ' omission of repeats in these earlier works , surely they were unwise to omit that of the exceptionally concise and concentrated exposition of the first movement of the Ghost , Op. 70 No. 1 . |
| 6 | She awoke from a light drowse to the distant strains of Tchaikovsky 's Violin Concerto , the lyrical theme of the first movement . |
| 7 | On this splendid new recording the main theme of the first movement seems to emerge almost as a happy accident from the gently rocking accompaniment — surely just the effect Dvořák intended . |
| 8 | Though phrasing is sympathetic , and Masur allows a natural easing for the third theme in the first movement , this is not among warmer readings of this much recorded work . |
| 9 | Judith Bailey 's firm , clear beat led perhaps to an unduly deliberate tempo and heaviness of phrasing in the first movement of Beethoven 's Emperor Concerto and narrowly missed coinciding with the soloist at a few important junctions . |
| 10 | She manages to keep the textures of the first movement light , and to give the Andante a genuine grace and the Scherzo a deftness it can often lack . |
| 11 | The ensemble includes two flutes , one doubling piccolo : Mozart never wrote a serenade for wind using flutes , but of course The Magic Flute there had to be flutes , Papageno 's pipes too , represented at the very beginning of the first movement , and returning in the second movement , by the piccolo . |
| 12 | Opening of the first movement . |
| 13 | The ‘ Mannheim Rocket ’ opening of the first movement really whizzes , whilst the depth and richness of the sound in the slow movement shows a totally different side to Haefliger 's pianism . |
| 14 | This suited the broad sweep of the first movement and the magical filigree of the second movement splendidly , but the finale perhaps asks for a degree of conscious showmanship . |
| 15 | The Beaux Arts Trio emphasize the romantic : they maintain a sense of turbulence throughout the first movement , with its running octave figure and edgy chords ; the beautiful Andante expressivo is tenderly handled , without sentimentality ; and the Scherzo is swift and sudden , charged with energy . |
| 16 | The playing lacks spaciousness and refinement , and is n't technically impeccable : for example , there 's some intonational looseness from the first violinist in a busy passage shortly after the one-minute mark in the first movement of K155 . |
| 17 | The similarities , however , are mostly in matters of device ( the piano arpeggios in the first movement Coda , for example , and the six-eight ending of the Rondo , tragic in Mozart , brilliant in Beethoven ) . |
| 18 | In pursuit of authenticity he has eliminated the apparently spurious timpani part from the first movement of Queen Mary 's Funeral Music , the well-known solemn slow march for slide trumpets-performed here on sackbuts . |
| 19 | I should add that Toscanini is better able to suggest a mood of subdued quiet at the start of the first movement . |
| 20 | Scrutinising this familiar object revealed some untidy details in the first movement : the performers have not quite solved the problem of what must be one of the cruellest openings for an orchestra ever devised . |
| 21 | I would quibble with details in the first movement , but the savage second movement is unsurpassed in its combined ferocity and thrust , the third moves from creeping malevolence to a spinetingling summoning-up of ghosts , and the finale rushes lemming-like to its conclusion , making a nonsense of the average insert-note description . |
| 22 | In fact they seem to inspire much of the running scale style of the first movement . |
| 23 | Actually it is one of Prokofiev 's most intimate works , and Hardy and Devos are alive to the wistful reflectiveness of the first movement , while the scherzo and finale have a lovely conversational interplay . |
| 24 | Both nevertheless bring their full lyrical assuagement , the songful second subject in the first movement without the disruptive over- slowing of tempo sometimes heard . |
| 25 | Not that Britten 's Prologue is in " sonata-form " or any other nominal academic form ( though it does bear some passing resemblance to the first movement of Sibelius 's Third Symphony , which is in sonata-form ) . |
| 26 | I find it difficult to live with such a regimented approach to the first movement , however . |
| 27 | In the first movement the piano suddenly reaches high up in its register to remote regions , rather like Rachmaninov during the first movement of his Fourth Concerto . |
| 28 | Personally , I would have preferred a more neurasthenic approach to the Berg — more febrile and phantasmagorical — and a slightly faster tempo for the first movement of the Stravinsky , as though it were the tightest clockwork mechanism . |
| 29 | 16 Symphony in E flat , K.184/161a , showing the opening of the second movement in Mozart 's hand ; the end of the first movement is in the hand of a copyist . |
| 30 | 25 Sonata for piano , K.310 in A minor , opening showing the end of the first movement and the beginning of the Andante . |