Example sentences of "[vb -s] her [adv] [prep] " in BNC.

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1 Naomi looks her straight in the eye , and demands , in a stage-whisper , ‘ Is it anything … to do with … sex ? ’
2 He shouts her out into the street for a harlot .
3 Drops her off at the hospital . ’
4 ‘ Or drops her off at the beach house . ’
5 ‘ I do nt think we should compromise here , ’ he says as he lures her out of her bra , and the narrator repeats the theme as his camera pans round to give us an eyeful of the picture man getting down to nipple level .
6 This portable version allows her out of home or hospital for a few hours … but for most of her life she must stay connected to a larger non-stop supply .
7 She finds our convent hateful because it cuts her off from the light , the air , and the sun to which she is accustomed .
8 She and the photographer she works with are caught up in an investigation that shakes her out of her complacency — and into the shadowy world of covert operations against the dictatorship .
9 So in Scout 's case , her innocence leads her through her childhood and because she is too young to understand fully the barrier between the different races she lives among , she is saved from the emotional torments other people suffer , but in Perk 's case her innocence leads her straight into a very touchy emotional situation and ends up suffering death , too young to understand why .
10 I bet Stuart sees her basically as a good little shopper .
11 But he does n't , and my mother wo n't tell him to go , because she 's never in her life told anyone to go , it is n't in her , but he 's grinding her into the ground , she ca n't work , she ca n't concentrate , he keeps talking to her all the time , and the baby cries , and it upsets her , for all that she keeps saying it does n't , and that it takes her back to the happiest years of her life , when we were all in plastic pants , I suppose she means , except I think we all had to wear wet woolly leggings , she had this thing about plastic pants being unhealthy . "
12 ‘ Yes , of course , Flick has been going it lately — her letters have been awfully scrappy , but she 's told us about all the dancing and bridge , and that Russian prince with the name like a hiccup who takes her all over the place .
13 Harcourt-Reilly takes her out of her conventional life , and leads her towards a spiritual quest and eventual martyrdom .
14 Mr Hutton often calls her in for dictation and then she gets behind with her work for Malcolm , but he gets annoyed with me rather than her .
15 He kneels still kissing her , then pulls her down beside him , rolling over .
16 My mum just pulls her down like that and it stays there !
17 With smiles , with nods , with evident relief that an awkward interview is over , Philip Swallow ushers her out of his office .
18 He ushers her out of the restaurant saying : ‘ I think we should leave before the paparazzi get here . ’
19 Harriet Walter plays her excellently as a woman who combines a strong sexuality with a defiant nobility of character .
20 On shore , she rubs her down with the exotically striped blanket , waits until she stirs again , and helps her back into the clothes .
21 Rainbow promises that , if Anya lets her back behind the wheel , she will try no tricks , and will keep her two-way radio switched off .
22 On shore , she rubs her down with the exotically striped blanket , waits until she stirs again , and helps her back into the clothes .
23 Nigel Dennis helps her out after the photographic session .
24 An ability to accept change singles her out as a leader .
25 But Leonskaja 's big technique serves her well in the Scherzo and finale , which come over with more spontaneity , and , in the finale , there is a pleasing warmth in the lyrical second melody at 1′20″ .
26 Now it is how Dorothy Heathcote sees the relationship between the two that sets her apart from most drama teachers .
27 Greimas maps onto his diagram Propp 's basic narrative chiasmus : traitor ravishes king 's daughter and transfers her elsewhere to hide her , hero finds somewhere king 's daughter and gives her back to her parents .
28 Is there something about woman 's experience as a biological and social being that gives her a common identity and differentiates her forever from the male ?
29 ‘ She 's twelve years old , nice old girl , good mouth and nice manners which puts her ahead of some women — and she wo n't set you down in the dirt .
30 Walker 's yearning for the idyllic belongs to a very general interest in the primitive and lyrical which puts her firmly in touch with Augustus John whose decoration , ‘ Lyric Fantasy ’ and cartoon for a decoration , ‘ Galway ( both at the Tate Gallery ) , share some of these concerns to find a primitive Golden Age that is not necessarily classical .
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