Example sentences of "[coord] i [vb base] [adv prt] " in BNC.

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1 Or I bring out my mates .
2 Either I go to England with your word , or I go back to Germany .
3 Although he had defied her before , it had only been in words but now the thought that he had the choice of putting those words into action and so set a new pattern , and in doing so break one of the threads that tied him to her , caused his whole body to tremble and his voice to quiver as he said , ‘ Either you give me permission freely to go with Mick tomorrow or I go down now and put it to Martin . ’
4 Each meeting ends with the moneymen all saying things like I 'm in or I want in on this or You got it or Let's do it .
5 He lights the match below the brown patch and I suck in and follow the smoke .
6 and I says , Good afternoon could I speak to the person that does advertising etcetera , and I get through to that particular person , and I said , How would you like to save money by us printing all your portfolios free of charge high quality er portfolios it would n't cost you a penny .
7 I 've managed to overcome the problems and I get around quite quickly — but I 've got chunks knocked out of the back of all my necks where the slide catches ! ’
8 Individually they are fine and I get on very well with most of them , but put them together in a group and they seem to have an attitude problem .
9 Says Miss G : ‘ Mother and I get on very well .
10 The delicacy of the situation , with their parents and often their grandparents there and everything ( as in a thwarted erotic dream ) , would hardly explain the lack of visual stimulation ; and I get on like a house on fire with the girls in the officers ' bordello .
11 Selina and I get on like a house on fire .
12 Mum and I get on a lot better these days .
13 And I get on less than two people
14 Tony and I get up as quickly as we can , brushing the snow free from clothes before putting them on so that it will not melt with the heat from our bodies .
15 A sequence in which they knock me down and I get up .
16 So they knock me down and I shake my head and I get up .
17 Well it 's he 's , he gets up at six in the morning and I get up at about five o'clock and I go to bed later than him anyway normally , so it must be
18 And I get up about half four , right ?
19 The driver calls ‘ Loving ’ and I get off the bus … ’
20 He and I get along very well now .
21 I normally catch quarter-past-five bus and I get in about ten-past-six , but he wanted me to work late and I says , well how late ?
22 But almost immediately Kafka — me , dammit — begins thinking again , and I get out of bed .
23 What we are saying there are other emergencies and I get down to the word loneliness now is there any reason why senior citizens should n't have the facility whereby they can make telephone calls if those , they so desire , to members of the family who in many instances they have n't seen for long periods of time ?
24 Then I see a policeman and I go over to him .
25 ‘ Sergeant Jennings here will make some tea , then she 'll stay with you while Mr Morgan and I go over to the stables .
26 He breaks up with Michael and I go round cu , I I 'll give them the car and get the amplifier , and he goes what amplifier ?
27 I have written elsewhere ( Bolton , 1982 ) that the basic skill of acting is : ‘ an ability to engage with something outside oneself using an ‘ as if ’ mental set to activate , sustain or intensify that engagement' and I go on to say , ‘ I am using the word ‘ engagement ’ as a central feature because it implies a relationship at an affective level between a person and the world outside him' ( p. 135 ) .
28 And I go on working on my memorials to her , to gather the strength to write more … .
29 A sergeant appears from what a plate beside the door indicates is the dentist 's and I go up to him and tell him my name and that I 've been told to report my movements by Detective Inspector McDunn .
30 And I go up there .
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