Example sentences of "[art] student " in BNC.

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1 Writing as he was in the 1930s , he expressed his pleasure at the extensive documentation and reference material available to the student of art , instancing the growth of libraries and art historical teaching .
2 The student here may inform himself whether he has been favoured by heaven with this truly divine gift .
3 After some time the student would return to report .
4 ( At drama school the full-time course will frequently require the student to work until 9 p.m. and later when productions are being mounted . )
5 The one-year course is only to lay down the foundations of good technical training — and it is widely recognised that the course simply pushes the student into the profession with enough practical experience to find his or her feet .
6 In the first term , rehearsals for the production project will usually be around two hours in length , but progressively more time will be spent on this aspect of the course as the student advances .
7 The range is obviously very wide , and you may find yourself in a Greek tragedy , or even a modern ‘ exercise ’ play such as Games by James Saunders , where the student may add to the text by research material which can be incorporated in the project .
8 The language of a classical play is challenging but it does give the student chance to see how early voice training can be used with a very demanding text .
9 Of course the student also needs to learn how to co-ordinate dialogue with all of the necessary actions and movements which are part of the natural traffic of performance , and learn about prop handling .
10 A director may have made it plain that he has a definite intention for a character , but the student may not always see this straight away .
11 The student may want to find out more about the kind of parts he/she may play in the future , or indeed may have played during the time already spent at drama school .
12 The student life is very important — in perspective .
13 What would you advise the new actor or the student to concentrate on in terms of auditioning ?
14 I said nothing , but turned away and walked as quickly as I could towards the stairs and down to the student canteen in the basement .
15 I had gone for coffee in the student room in order to avoid my colleagues .
16 Long before going solo the student should have learned the mnemonic by heart .
17 The importance of the vital actions drill may even be undermined in the eyes of the student if the instructor insists on a complete check of each control movement for every flight ( stick to the left , left aileron up , right aileron down , stick to the right , etc. ) , since it is clear that things like this can not change between flights , and the majority of experienced pilots only do that check on the first flight of the day .
18 The final stages of training amount to the handing over of all the responsibility for safety to the student .
19 Ideally , the student should be making all the decisions and choosing actions in the interests of safety and efficiency .
20 By setting the student problems during the final flights before going solo , the instructor can test his ability to think logically and to deal with situations as they arise .
21 An experienced instructor will stop helping the student at this stage and will refuse to comment until after each flight .
22 In this way , the student can gain confidence by knowing that he made the decisions and that they were sensible ones .
23 In the air , decisions are relatively easy and concern only the student and the instructor .
24 Normally , the instructor is inclined to emphasise the ‘ All clear above and behind ’ , without making the student think consciously about the area ahead .
25 In these cases the student probably relies on the instructor to make the decision and knows that he is there and can save the situation if things go wrong .
26 It is important to make the student aware of the subtle difference between being safe at all times and being safe in particular conditions .
27 The instructor may have been wondering if the height was going to be sufficient for a normal approach even though the student had already cut out the base leg to make a 180° turn on to finals .
28 It is obviously very important for the student pilot to learn to recognise all the symptoms of the stall and to become familiar with them .
29 It has been suggested that ‘ incipient ’ is an unfamiliar word , that associating the stall with a spin might get the student worried , and that to simplify things we should only talk about stalls and spins .
30 After doing this several times in a two-seater during training , the student may find both that applying full opposite rudder will stop the spin and that the glider does not in fact re-stall again even if the stick is kept back .
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