Example sentences of "do not [verb] me [prep] the " in BNC.

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1 And do n't leave me on the side ,
2 ‘ Confidentiality ’ may mean my right ( or wish ) that you do not pass on what I have told you ( or do n't identify me as the informant ) , or it may mean my wish ( or right ) that you do not pass on information about me , or , with ‘ professional ’ prefixed , it may mean that our group will support each other by saying nothing about each other 's judgements , competencies or foibles .
3 Mr Yossi Sarid , of the leftwing opposition Citizens Rights Movement , quoted from the lyrics : ‘ Do n't tell me about the girl who lost her eye .
4 Do n't tell me about the girl who lost her childhood . ’
5 You do n't want me in the harness room , do you .
6 Please do n't throw me on the floor !
7 Anyway , you do n't strike me as the sort who 's ashamed of her body . ’
8 As I said , you do n't strike me as the sort of girl who hides her body from the public gaze , so I do n't know why you 're bothering to do so now . ’
9 ‘ You do n't strike me as the type who 'd be unduly overwhelmed by my so-called fame .
10 I do n't want to let the side down — do n't send me to the Sick Room !
11 Do n't send me in the Army , George ,
12 DO N'T MENTION me in the same paragraph as Ace ! ’
13 ‘ I 'm sorry , modom , do n't blame me for the shortages .
14 Do n't blame me for the way you interpret anything I say , ’ he said blandly .
15 Do n't take me to the tower .
16 You do n't need me for the moment , but I 'll be back this afternoon .
17 I 'll leave you to fathom that out I know you do n't like me in the room when your fathomering things out
18 Other causes of distortion include our reliance on our own pet theory of personality ( ‘ Its worked well so far ’ ) , selective perception ( ‘ I know what I want to hear ; do n't confuse me with the facts ’ ) , the so-called halo effect — forming opinions on one piece of information and generalizing from it to other pieces of information ( e.g. ‘ She was brilliant in the Geneva post ; she 'll be brilliant wherever we send her ’ ) , or its opposite , the horns effect ( ‘ He was hopeless in Paris .
19 Do n't hit me in the face . ’
20 ‘ Your marital problems do n't interest me in the slightest , Dr Vaughan .
21 ‘ It 's great because I can ride it to the beach and people do n't recognise me beneath the helmet .
22 Do n't keep me in the house .
23 ‘ Men do n't see me as the stuff of their romantic dreams .
24 I felt myself falling and begged them , ‘ Please , do n't put me in the truck . ’
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