Example sentences of "do [pron] [verb] [art] [noun sg] to " in BNC.

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1 Do I want the moon to " supply her losses " like an efficient steward , or would it be better for her to " heal wounds " , like a surgeon ?
2 Do I give the point to ?
3 At the tourist office I had asked , ‘ Where do I get the bus to Chinchero ? ’
4 How do I put the truth to her ?
5 That , do I know the answer to that , William Crapper .
6 At the funeral near Belfast , Jack was startled by a tap on the shoulder in the church and a man 's voice hissing , ‘ Do ye want a lift to the cemetery ? ’
7 How do you fancy a trip to Birmingham ? ’
8 Do you do the journey to Brazil often ? ’
9 How do you comfort the person to whom you have done an injury , particularly if you reject the idea that your behaviour carried any cause for reproach ?
10 One extract may suggest the tone of his replies ; " Question : Do you intend the play to be a criticism of society without form ?
11 Do you want a lid to this or just holding it Tim ?
12 Do you want a lid to this or
13 Do you want the exhibition to be a low-key means of getting some experience , or create and attract a lot of local media coverage ?
14 Who do you pay a cheque to ?
15 she said who do you pay the bill to ? , to I says the post office , well do n't they pay you for having their telephone
16 And what do you think the answer to that is ?
17 ( 35 ) what do you believe the detective to be ? what did Leonard prove the theorem to be ? what will Atkins guarantee her picture to be ?
18 ‘ And the Bishop 's door , do you have a key to that ? ’
19 ‘ Why do you find fault with me ? ’ he asks , ‘ Why do you put the Lord to the proof ? ’
20 ‘ How well do you know the land to the west of the city , Suragai ? ’
21 Once Clive was in the hypnotic state on this occasion , I asked him to visualize going up to someone he knew slightly , taking a few deep breaths and then asking them a simple question — ‘ Could you please tell me the time ? ’ or ‘ Do you know the way to such-and-such a street ? ’
22 Do you know the way to Birkleigh ? ’
23 So the first question is , where do you imagine the poet to be at the beginning of the poem .
24 By opportunities for learning that can be at depth , about learning about ourselves , but also the practical things like what do you say to a child whose father 's come back mutilated from war erm how do you write a letter to a bereaved person , and I think children I mean they are capable of doing this , I 've seen it with my own children , with some help they 're able to express quite deep emotions , you know , to somebody who 's had a bereavement , and if they can learn that now , you know , it 's going to be a lot easier later on .
25 No longer do we expect the penis to be a magical instrument that stands upright on demand , throbs and pulsates all night with the strength of 10,000 men , and immediately regains its firmness just seconds after ejaculation .
26 The first basic question to be asked is whether theorists understand the concept of social representations to apply only to particular sons of society , or do they intend the concept to be a universal one ?
27 ‘ I hear people passing and saying ‘ How on earth do they allow a porch to be built on top of the pavement ? ’
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