Example sentences of "in [adj] [art] [noun pl] [pers pn] have " in BNC.

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1 In all the cases I have encountered , despite strenuous efforts to cure it , the latter is unfortunately the most usual course of action .
2 Observe the completely different effect produced by replacing the adjectives in ( 1 ) by the corresponding adverbs , as in : ( 28 ) Ellen shook the keys loosely muzak drives them madly And contrast the two sentences of ( 29 ) ( b ) : ( 29 ) ( a ) what did the new system do to the motors ? ( b ) the new system made the motors quieter the new system made the motors more quietly 5.4 Let us now return to the matter of the resultative nuance which can indeed be observed in all the examples we have given , reproducing the structural diagrams ( 21 ) and ( 22 ) to do so : ( 21 ) ( 22 ) If these diagrams represent the relations actually used in constructing such expressions , it follows that the entity of the noun phrase , as initially present to the mind of the speaker ( and to that of the listener in the final interpretative phase of comprehension ) lacks the property of the adjective since it is structurally separated from it ; however , since that property is expressed by an adjective , then ex hypothesi it will apply to the entity of the noun phrase when the construction is taken as a whole ; if not , then either the property would be expressed by an adverb , and apply to the verb , or the whole construction would be literally incoherent .
3 Now , as will have been noticed , in all the examples I have given , one very crucial element has been missing to make the expressions grammatical as instances of standard English — we need determiners of some sort .
4 In all the years I have been practising , and among all the hypnotherapists whom I know or of whom I have read , I have never heard of any individual suffering any side-effects at all — except positive ones .
5 in all the years I have been keeping fish I have yet to suffer any form of disease or problems associated with feeding worms .
6 In both the instances we have looked at , the speaker uses the change of code to animate a persona which is not his/her own , but that of a character in a narrative .
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