Example sentences of "he [vb -s] [pron] [prep] the [adj] " in BNC.

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1 Brahe ‘ shows ’ Epstein his work — that is , he flies him around the 30-kilometer circumference of the accelerator which is buried deep underground , pinpointing the surface features and describing their relation to the features concealed below the surface .
2 With feet of lead he pitches us into the high winds with the wisdom of a professional .
3 He maketh me to lie down in green pastures : he leadeth me beside the still waters .
4 It must be admitted that a great deal of what Judaeo-Christianity has to say about the ‘ goodness ’ of God is based upon claims about the way in which He involves himself in the historical process .
5 Holding it up , he shouts something to the two Tibetans by the fire .
6 He has none of the other worries or tasks that you have to deal with daily .
7 He is carrying the map the class have made , which his " friend " has delivered ; he thanks them for the excellent job they have done .
8 Simpson still delays taking the kick , now it comes in , he knocks it into the far post , looking for Paul .
9 Then he says something about the formal appeal of this sculpture to twentieth-century Western taste , because of its freedom from the canon of realism :
10 Patrick has plenty to say on such subjects , and he says it in the lordly way which does much to furnish the book with its presiding idiom .
11 ‘ Oh , that 's the Eiffel Tower , ’ and he says it in the same tone of voice as if you had shown him a portrait of Grandpa , and he had said : ‘ So that 's your grandfather I 've heard so much about .
12 While Blanche tries to pass him in one of the passages he grabs her and he hurts her in the cruellest and most brutal way .
13 He blames himself for the 35-yard rocket from Paul Gascoigne that ripped through his grasp after just five minutes .
14 If I continue then with some introductory remarks erm on policy H one a and one A , perhaps that would set the scene er for the discussion , then Mr will very briefly erm look at the differences as he sees them between the two sets erm of projections .
15 Part of the time he sees them in the familiar way as creatures who lack rationality to at least some degree .
16 Frankie calls it as he sees it about the moral and social decay of contemporary Britain without ever sounding like someone whose grasp of the issues extends no further than memorizing a snappy slogan .
17 He ingratiates himself to the hapless couple , putting them completely at ease .
18 The co-existence of opposite feelings experienced by a spectator during a performance of tragedy is shared by the tragic artist himself Despite the pleasure he finds in appearances , he negates it for the higher satisfaction of their destruction .
19 Everything you say , he takes it in the wrong way .
20 Not guilty , did n't do it that 's why what gorilla man did sickened me ; no blood well hardly any blood literally a drop , a drip , a fucking pixel on the screen and the only thing slicing into flesh was a needle , tiny and delicate not a chainsaw or an axe or a knife or anything , but it 's that image that idea that old devil meme , I keep dreaming about it , keep having nightmares about it , and I 'm the trapped one , I 'm the man in the leather-and-chrome chair and he 's there with his gorilla face and his squeaky baby voice , explaining to the camera that what he has in this bottle and in this syringe is sperm ; the crazy fucker 's loaded it up with jism man looks like half a fucking milk bottle of the stuff and he 's going to inject it into the little guy 's veins and he ties something round the naked upper arm of the little guy strapped to the chair and pulls it tight and waits for the vein to show while the little guy howls and screams like a child and tries to shake the chair to bits or rip it apart but he 's too well strapped in there no purchase no leverage and then the man in the gorilla mask just does it ; sinks the needle into the little guy 's skin with a bit of blood and empties the whole syringe into him .
21 Again , the way he applies it to the specific case of popular music poses problems : the utopian promise which , for Adorno , is the mark of great art 's autonomy is in his view relevant to popular music solely by its absence , for here , he thinks , social control of music 's meaning and function has become absolute , musical form a reified reflection of manipulative social structures ; and this moment in the historical process actually represents , in effect , the end of history — the possibility of movement by way of contradiction and critique has disappeared .
22 He applies it to the particular case of young people living with their parents after marriage , by arguing that in the expanding industrial towns there was every opportunity for young people to be wage earners and therefore to be net contributors to the parental household , at a time when wages were at a very low level .
23 steps up and right footed he blasts it into the bottom corner , it subdues the Shrewsbury crowd somewhat , Blackburn fans are rampant because at last there 's some light for them but they 're still trailing Shrewsbury by three goals to two .
24 He regards it as the greatest force at man 's disposal .
25 He regards it as the Big Smoke .
26 Now he finds himself in the same position as his predecessor — a relative conservative whose time is past .
27 He expresses it in the following way :
28 He tells me of the only time he has seen his mother drink ; her infant grandchild vomited on her coat , and she spouted a fine , volatile performance , screaming Christ Almighty the cross a woman has to bear , taking the Lord 's name in vain for the very first time .
29 He imagines himself as the only adult in a large field of rye , standing by the edge of a cliff .
30 ‘ You should know you 'll not change your father now and he means everything for the best for the whole house , ’ she argued forcibly but the strain was showing on her own drawn , anxious features .
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