Example sentences of "you [vb past] [pers pn] [prep] the [adj] " in BNC.

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1 How you going to know exactly where the boundaries go or i in between some land-lock countries that you got it in the right position
2 In my time you even had to survive Hansen 's unofficial scrutiny before you made it to the first team .
3 ‘ In the 1950s and 60s there were superb beers — if you caught them on the right day .
4 You helped me in the early days .
5 You dropped him for the Prime Minister . ’
6 You know you you told me about the big boat did n't you ?
7 When you told me about the American girl , I hoped it meant you 'd got over Pickles .
8 ‘ So you told 'em about the Regal Arms . ’ ,
9 and then if you needed it for the further education you could use it
10 Sure , you loved them in the '70s .
11 One returns to a half-dug hole as to a part-written love-letter , wondering why you started it in the first place and doubting whether it will ever be completed .
12 You lost them in the first place .
13 You saw him for the last time in 1959 .
14 You saw him in the early thirties ?
15 It 's worth also mentioning , since you saw it in the practical class , that staphylococci in general produce this enzyme catalase all of these er lo thi this is the enzyme which breaks down hydrogen peroxide and detoxifies it .
16 Well you were obviously , well you prescribed it in the first place
17 Five years ago , you nominated me for the National Executive of the Labour Party .
18 I just wonder why you gave it in the first place . ’
19 And it was hundred and ten if you did it over the two six
20 Well you answered it in the first , in the first answer that they got jobs they were employed er the , the rural labourers were able to , to get employment in urban areas er where wages were slightly above those wages that they could reasonably expect in agriculture and because they were actually productive making goods and services they helped the development process .
21 you 're absolutely spot on , cos you had them on the other one did n't you ?
22 In the big American museums you no longer have brilliant ‘ star ’ directors the way you had them in the Sixties and Seventies people like Sherman Lee at Cleveland , Fred Cummings at Detroit , Tom Hoving at the Met who could manage 5,000 projects at once , either making brilliant acquisitions , or putting on unusual or daring exhibitions , or making outrageous statements that might get them censured today .
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