Example sentences of "she [verb] in [art] [adj] [noun sg] " in BNC.

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1 ‘ What have you done now , Jim ? ’ she whispered in a shaking voice .
2 ‘ Oh , look ! ’ she whispered in an awed kind of voice , and flicked a glance from the squirrel to Ven , to find that he was looking — at her !
3 The following example comes from the interview with Sally Jordan , a factory worker and a dustman 's wife ; she belongs in the first group of working-class women whose early positive or non-committal response turns into predominantly negative feeling :
4 ‘ I — I 'm afraid so , ’ she admitted in a small voice .
5 she admitted in a low voice .
6 ‘ The TV crew on The Darling Buds Of May know that I hate my backside , so they 're always making little comments , ’ she revealed in an exclusive interview .
7 She lived in a one-bedroom flat in St George 's Place as you may know those council flats .
8 She lived in a one-bedroomed flat , four floors up in a tower block .
9 She lived in a thirties block
10 She lived in a small house near ours and seemed very old to me ; but that was many years ago .
11 She lived in a top flat ‘ up a hell of a lot of stairs , and she used to have a parrot on top of the stairs . ’
12 She lived in a big house in what they called the stockbroker belt , she had healthy and good-looking children , they took two holidays every year .
13 She lived in the Palestinian camp at Rashidiyeh , a wretched four square miles of breeze-block huts and cabins relieved only by the occasional tree , a straggling plant hanging from a poorly made brick wall and an open sewer that snaked uneasily down the centre of the mud roads .
14 She lived in the present tense of the school with its totally absorbing pattern of routine and minor rebellion .
15 Only she lived in the posh part , called Hove , and whenever people said ‘ You live in Brighton , do n't you ? ’ it was normal to reply ‘ Hove , actually ’ until it almost had become the name , Hove-Actually .
16 She sits in a soft curve at her easel , gently swabbing away three centuries from a grumpy London sky .
17 The larger female is more heavily marked , this helps to make her better camouflaged on the ground nest she builds in the Arctic spring , immediately after the snow begins to melt .
18 ‘ We 're closed , ’ she announced in a frosty tone .
19 ‘ Sixteen coffees , ’ she announced in the cool voice that they seemed to be using to each other , ‘ followed by — er — ’ Consulting her list , she continued , ‘ Six rounds of toast , five boiled eggs with soldiers … ’
20 ‘ Yes ! ’ she agreed in a high voice .
21 ‘ You talk with all the … the typical arrogance of the male ! ’ she countered in a choked voice .
22 The second letter is difficult to place since Leapor is responding to a gentleman whose comments on her work are relayed by someone else , or to whom she refers in the third person for reasons of politeness .
23 ‘ Do you believe what you paint ? ’ she asked in a low voice .
24 ‘ What did she mean by that ? ’ she asked in a low voice .
25 ‘ Is it so obvious ? ’ she asked in a low voice .
26 ‘ Is that what you want me to do ? ’ she asked in a low voice , while savouring the memory of his kiss .
27 ‘ Was it necessary to tell them ? ’ she asked in a low voice .
28 ‘ How do you think Dad looks ? ’ she asked in a low voice , not replying to his offer .
29 ‘ What ails you , Elizabeth ? ’ she asked in a tender voice .
30 ‘ So why Conway House ? ’ she asked in a desperate attempt to steer the conversation away from herself .
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