Example sentences of "i [be] [verb] [pron] to [art] " in BNC.

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1 And , Father , he asked — the lord sheriff asked — that I should beg you to have Brother Cadfael informed also , and when the morning comes , if you permit , I am to lead him to the place , to meet the sheriff there .
2 I am to take you to the count .
3 I am taking you to the house of Robert Asshe , in Holborn .
4 I am taking you to the dressing-room where the ladies are gathered , they would be your best customers , I do n't doubt . ’
5 However , at this moment I am addressing myself to the question of motive .
6 It would be nice to imagine the reader , having ingested the reader , having ingested the above , musing , ‘ Oh , I never thought of that ’ — which is , after all , the response elicited by all cultural commentators — but I have no illusions that I 'm teaching anything to the individual or individuals responsible for the original design .
7 ‘ No , I 'm taking her to the doctor 's . ’
8 So today I 'm taking them to a matinée . ’
9 ‘ Do n't forget , I 'm taking you to the Stadt Berlin .
10 I 'm taking you to the bank , ’ he muttered in her ear , his voice reverberating through her body .
11 I 'm taking you to the Jolly Farmers .
12 Having come this far , and having made the effort to come first , I reflected only briefly as the Commandant in front of me , with his four gold bars on his shoulders , signed a piece of paper and said , ‘ I 'm posting you to the 2ème Régiment Étranger de Parachutistes . ’
13 ‘ I ca n't stand it — I 'm taking them — I 'm giving them to the dogs … . ’
14 But I was advised to imagine I was telling it to a good friend and not worry about what other people might think .
15 ‘ I did n't say I was taking you to a hotel , ’ he replied evenly .
16 Gaitskell became excited at the prospect and instructed me with great firmness that as soon as I had received the ‘ discovered ’ documents I was to show them to no one but to come straight to him , so that he should be the first person to know who the culprit was or what information was available that would lead to the culprit 's identity .
17 I was committing myself to a policy . ’
18 ‘ I suddenly felt that I was doing it to a bunch of people that actually understood what Lear 's pain was about , whereas I do n't standing on the stage at the National Theatre ’ : Brian Cox 's concerns about audience reactions and the nature of the dramatic experience are echoed by others .
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