Example sentences of "leading into [art] [num ord] " in BNC.
Next page| No | Sentence |
|---|---|
| 1 | Do the postures continuously , in graceful slow motion with each exercise leading into the next . |
| 2 | Do the postures continuously , in graceful slow motion with each exercise leading into the next . |
| 3 | Do the postures continuously , in graceful slow motion , with each exercise leading into the next . |
| 4 | Do the postures continuously , in graceful slow motion with each exercise leading into the next . |
| 5 | Do the postures in graceful slow motion , with each exercise leading into the next . |
| 6 | Do the postures continuously , in graceful slow motion , with each exercise leading into the next . |
| 7 | Do the postures continuously , in graceful slow motion , with each exercise leading into the next . |
| 8 | Do the postures in graceful slow motion , with each exercise leading into the next . |
| 9 | Do the postures in graceful slow motion with each exercise leading into the next . |
| 10 | Do the postures continuously , in graceful slow motion , with each exercise leading into the next . |
| 11 | Do the postures in graceful slow motion , with each exercise leading into the next . |
| 12 | Do the postures continuously , in graceful slow motion with each exercise leading into the next . |
| 13 | We see : in ex.5a the first violins with this theme combination ; in ex.5b the first oboe in a parallel spot ; in ex.5c on the upper stave the cellos ( in the tenor clef ) first with the twice-repeated dotted linear theme , then the angular four-note theme , marked with strokes , joining ( now in the bass clef ) in bar 401 the basses in a third of the five themes ; on the lower stave the basses announcing the angular theme , with strokes , followed by a dotted fragment of the linear theme ( in support of the cellos ) leading into the third theme with its signal-like opening and descending quaver passagework . |