Example sentences of "[pers pn] [vb -s] it [prep] the [adj] " in BNC.
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1 | John gives Mary the coin , she hides it in the red box for safe-keeping and departs . |
2 | If she does so and the husband purchases the replacement house for her , and she occupies it on the same terms , a subsequent transfer to her of that house will not be within the terms of the concession ( see p18 ) because that house will never have been a matrimonial home . |
3 | Simpson still delays taking the kick , now it comes in , he knocks it into the far post , looking for Paul . |
4 | Patrick has plenty to say on such subjects , and he says it in the lordly way which does much to furnish the book with its presiding idiom . |
5 | ‘ Oh , that 's the Eiffel Tower , ’ and he says it in the same tone of voice as if you had shown him a portrait of Grandpa , and he had said : ‘ So that 's your grandfather I 've heard so much about . |
6 | Frankie calls it as he sees it about the moral and social decay of contemporary Britain without ever sounding like someone whose grasp of the issues extends no further than memorizing a snappy slogan . |
7 | The co-existence of opposite feelings experienced by a spectator during a performance of tragedy is shared by the tragic artist himself Despite the pleasure he finds in appearances , he negates it for the higher satisfaction of their destruction . |
8 | Everything you say , he takes it in the wrong way . |
9 | Again , the way he applies it to the specific case of popular music poses problems : the utopian promise which , for Adorno , is the mark of great art 's autonomy is in his view relevant to popular music solely by its absence , for here , he thinks , social control of music 's meaning and function has become absolute , musical form a reified reflection of manipulative social structures ; and this moment in the historical process actually represents , in effect , the end of history — the possibility of movement by way of contradiction and critique has disappeared . |
10 | He applies it to the particular case of young people living with their parents after marriage , by arguing that in the expanding industrial towns there was every opportunity for young people to be wage earners and therefore to be net contributors to the parental household , at a time when wages were at a very low level . |
11 | steps up and right footed he blasts it into the bottom corner , it subdues the Shrewsbury crowd somewhat , Blackburn fans are rampant because at last there 's some light for them but they 're still trailing Shrewsbury by three goals to two . |
12 | He regards it as the greatest force at man 's disposal . |
13 | He regards it as the Big Smoke . |
14 | He expresses it in the following way : |
15 | This God can and does break into human life , and sometimes he does it through the violent , the unexpected , the alien . |
16 | His approach , in its essentials , was formed by the early 1930s , and he extends it during the 1940s only in the direction of even greater pessimism : cultural ‘ totalitarianism ’ becomes absolute . |
17 | If it sells it to the Third World , it destroys local economies . |
18 | Er I mean it brings it about the same price as we 're paying anyway does n't it ? |
19 | He leaves it to the local man : the local man , whose tremulous reliance on a few patented drugs Hamilton observes with a speechless sneer . |
20 | What he has done is describe certain linguistic features of the text which distinguish it from other texts ( he refers to Yeats 's ‘ Phoenix ’ and Tennyson 's , ‘ Morte d'Arthur ’ , as well as instances of non-literary usage ) , and which look as if they may be of some literary significance ; but he leaves it to the literary specialist to determine what the nature of that literary significance is . |