Example sentences of "[noun sg] [that] [pron] [verb] that [noun] " in BNC.
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1 | certain of the elements combine so naturally and with so powerful an effect that we pursue that path of combination as a path in its own right and forget about the problem we are trying to solve . |
2 | The kindest and most loving parents may be so protective of their child that they cause that child to be anxious and over-cautious from a very early age . |
3 | And it was on that basis that we made that statement there . |
4 | and you know what it was n't one of his objections at all , you know the video that we saw that morning |
5 | If you paid by cheque or credit card , again you would have some evidence that you spent that money . |
6 | ‘ I knew from the very start that you sent that poison pen letter , Eleanor . |
7 | I had gone too far and experienced too much , I needed to slow down , to get back to the small things , the practical things , to measuring and cutting and fixing , and it was with relief that I noticed that daylight had begun to invade the room , I kept quite still , I held the glass firmly in my gaze , gradually the elements already worked on began to emerge , some more clearly than others , some in outline only and some only when they impeded the free flow of light through the glass , until the sun came up and was reflected back from the windows of the house opposite and I could sit and look at the glass and think back through the work and the mistakes and the few successes , and sense again with that sickening feeling in the pit of the stomach that the whole of the right hand side of the lower panel was still a mess , nothing there had been resolved , but then I drew back from that , though it kept trying to pull me back to itself , and concentrated on what was beginning to work , on the left hand areas both top and bottom and on the elegance of the frame and the joy of seeing the bare walls and the wainscoting appear through the empty areas , and as I moved round so different parts of the room appeared and the relation of the surface of the glass to what lay behind changed , precision and fluidity , precision and fluidity , he wrote , choice and chance , not choice alone and chance alone but the two together , that is why delay , not stoppage and not flow but delay , delay in glass , he wrote , as when the plane is late and you should have been gone , have already arrived perhaps , but you are still there , or the sprinter beats the gun and the whole field is called back , the race could have been over but it has not yet started . |
8 | In a way this was not such a radically different view from Mannheim 's because the sociology of knowledge was sociologism in the sense that it held that truth was only ‘ true ‘ for ’ certain groups of men ’ ( Grunwald 1970 : 238 ) . |
9 | Only seven percent of the words that they speak , of their impact , based on the words they speak , thirty eight percent is based on their voice and the way that they present that information . |
10 | The child 's subconscious reaction remains the same and , unless careful understanding is given to him at each stage of his growing up , he will spend the rest of his life in such a way that he reinforces that self-image which tells him that he is not worthy of receiving love . |
11 | Erm , can I say that it 's only last year that we organised that video for secured car parks , and employed a blooming outside presenter to do it , and that cost us twelve thousand quid , and that were at Derby and they made an excellent bloody video of it did n't they ? |
12 | you know the big spread that I saw that time |
13 | It is possible to approximate the time that she left that job . |
14 | The last time that I heard that argument so brazenly presented was by Mr. Neville Chamberlain 's spokesman before the war . |
15 | We do suggest one small change , to allow an employee 's payment method to be changed at the discretion of his employer , if at the time that he entered that employment , he had agreed to accept that change at some future time ( not necessarily specified ) . |
16 | The downward arpeggio in the last two bars will obviously be given to the clarinet , for besides the fact that it fits that instrument like a glove , it does not lie within the range of any other wind instrument . |