Example sentences of "[adv] come at the [noun sg] of " in BNC.
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| 1 | A note duly came at the end of September , hurtful in its brevity , frustrating in its lack of information : — thank you for the money sister which is put to good use your son being in need of shoes and all manner of apparel since he grows apace . |
| 2 | The origins of this transformation may be traced back into the late 19th century but the upheaval finally came at the time of Vietnam , flower-power and the campus revolutions . |
| 3 | London , of course , and our Amsterdam exhibition has been trading since the beginning of the year and the price increase is generally coming at the beginning of the season , which is more or less now for the parks , earlier for the exhibitions . |
| 4 | But now they do not come at the end of the list . |
| 5 | These reflections do not come at the end of the piece — Palomar then goes on to make analogies with human communication — but they do encapsulate its essential spirit and that of many other pieces in the book . |
| 6 | Both conjunctions and disjuncts usually come at the beginning of English clauses ; it is natural for the speaker to place in initial position an element which relates what s/he is about to say to what has been said before ( conjunction ) or an element which expresses his/her own judgement on what is being said ( disjunct ) . |
| 7 | Vomiting often comes at the close of a chill ; vomiting of bile between the chill and the heat . |
| 8 | For a while , the working title of ‘ Homebrew ’ was ‘ Feminist Slag ’ , to signify that feminism need n't come at the cost of ‘ being able to let your sexuality really express itself ’ . |
| 9 | As with all 205s , the balance and steering response of the XS do n't come at the expense of an uncompromising ride . |
| 10 | The same can not be said about languages in which the predicator frequently comes at the beginning of the clause and therefore represents an unmarked — or at least less marked — thematic choice . |
| 11 | Another sore point was de Gaulle 's fondness for theatricality and rhetoric , which sometimes came at the expense of substance . |