Example sentences of "[pron] [vb -s] it [prep] [art] [adj] " in BNC.

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1 The top is quickly reached from the grassy nick which separates it from the nearby Roaches .
2 A real state consists of a naive state and a sequence of naive operations which produces it from the naive start state .
3 This three-quarters works itself to death , generation after generation , at the behest of the female quarter , more sapient but no less savage , which dominates it by an impenetrable social mystification of oestrus .
4 However , as will be seen , this position is entirely in line with a view of Englishness which identifies it with a non-industrial or pre-industrial past .
5 Nobody expects it from a well-dressed , well-spoken girl , especially in designer shops .
6 Ltd. ( ‘ the dock company ’ ) , which operates it as a commercial port .
7 A small arched pole is then threaded through a sleeve in the front of the flysheet which extends it into a good size porch .
8 The decision has drawn protests from environmentalists , who warn that it could have a damaging effect on the Danube valley ecosystem , and the Hungarian government , which views it as a possible infringement of territorial integrity .
9 And as if to point up this change Bukharin declared , ‘ Our Red Army , which is to an enormous extent composed of peasants , is the greatest cultural machine for the re-education of the peasantry , which leaves it with a new mentality . ’
10 Whatever the grandeur of the situation she transcends it with a sweet serenity which mesmerizes everyone .
11 She handles it like a sophisticated traveller unthreatened by a new airport .
12 Above all , it 's a relaxing therapy and she sees it as a major way of helping a runner ‘ warm down ’ .
13 John gives Mary the coin , she hides it in the red box for safe-keeping and departs .
14 One is not really aware of the pain as being in a certain place ; one is aware of the pain , and one connects it with a certain place , rather as one connects different sorts of sensations with different sorts of malady — rheumatism , indigestion , and so on .
15 Although the Daily Telegraph 's reviewer thought the twenty-year-old too young for the role of Buddy , he conceded that ‘ he plays it with an infectious sense of fun .
16 He holds it through a riveting performance of the Toccata , a sumptuously lyrical adagio ( although perhaps here it has more the air of an andante amabile ) and a gloriously ebullient Fugue .
17 ‘ Shut the window , please ’ is said in a situation where the speaker rather expects the hearer to act so as to fulfil a certain sort of wish of his , if he indicates that he has it by an imperative sentence .
18 Simpson still delays taking the kick , now it comes in , he knocks it into the far post , looking for Paul .
19 Patrick has plenty to say on such subjects , and he says it in the lordly way which does much to furnish the book with its presiding idiom .
20 He describes it as a steep overhanging wall , with two hard 12 feet sections .
21 Such a word may be useful to a literary man but it throws little light on Green 's intentions except when he uses it in a negative sense ; in one chapter he states a subject was ‘ unpicturesque and consequently not worth an artists attention ’ .
22 He fills it with a restless , bristling energy , as if he might clamber out of the frame and into real life .
23 And although Platinum has , like the spreadsheet solution that preceded it , some limitations , he sees it as a good basis for future developments .
24 Frankie calls it as he sees it about the moral and social decay of contemporary Britain without ever sounding like someone whose grasp of the issues extends no further than memorizing a snappy slogan .
25 But the reader gains as well , because he sees it from a different angle .
26 But the reader gains as well because he sees it from a different angle .
27 The document says it is impossible not to notice how society , for the most part , makes human sexuality banal , since it interprets it in a reduced and impoverished way , ‘ connecting it only with the body and egoistic pleasure ’ .
28 Everything you say , he takes it in the wrong way .
29 Again , the way he applies it to the specific case of popular music poses problems : the utopian promise which , for Adorno , is the mark of great art 's autonomy is in his view relevant to popular music solely by its absence , for here , he thinks , social control of music 's meaning and function has become absolute , musical form a reified reflection of manipulative social structures ; and this moment in the historical process actually represents , in effect , the end of history — the possibility of movement by way of contradiction and critique has disappeared .
30 He applies it to the particular case of young people living with their parents after marriage , by arguing that in the expanding industrial towns there was every opportunity for young people to be wage earners and therefore to be net contributors to the parental household , at a time when wages were at a very low level .
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