Example sentences of "[pron] [noun sg] of the same [noun] " in BNC.

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1 Play another sound effect — perhaps a door opening , keys jangling , a car moving off , a bomb exploding , or a dog barking — and it becomes difficult not to link the two sounds together and make them part of the same story .
2 In comparison to their parent of the same sex , those who responded to the questionnaire were more likely to be engaged in non-manual occupations ( difference 4.2% to 28% for men and 2.7% to 28.7% for women ) .
3 Her case for the defence is notably restrained , unlike her treatment of the same subject in Dickon , a play published posthumously in 1953 .
4 Of no mean magnetism himself — Lawrence thought highly enough of him to make him the recipient of some of his most excruciating introspections — Curtis was the inspirational force of that curious organization , the Round Table , in whose journal of the same name Lawrence published his article on the new imperialism in the Middle East .
5 And some of them , of course , emigrated to the United States because they could n't cope with life back in the old lands , the Shakers , are they part of the same sort
6 For example , there was an oil smear on his jacket of the same type as that he used in his car .
7 His pursuit of the same approach in his cantatas arose perhaps from a firm conviction of what would succeed in a genre so closely allied to opera , perhaps from innate conservatism .
8 Apollinaire , who at the time was fascinated by the interrelation of the arts , and was exploring the visual possibilities of poetry in his Calligrammes ( for which one of the original titles was Moi aussi je suis peintre ) , was inspired by Delaunay 's paintings Les Fenêtres to compose , late in 1912 , his poem of the same name , in which the means are to a certain extent analogous .
9 They had one son and three daughters ; their son , John Bridge Aspinall , became a QC , as did his grandfather of the same name , and he was for five years the city remembrancer until his early death in 1932 .
10 Take the moment in the ‘ Pantomime ’ from part three where Pan/Daphnis declares his love for Syrinx/Chloé ( fig. 173 : Rattle , track 12 , 0′53″ ) : Abbado 's LSO strings slide around in an appallingly sticky manner here , whereas Rattle 's declaration is whispered , tender and somehow delightfully aware that this is ‘ play ’ within a play ; as is his treatment of the same passage forte a few bars on ( at 1′44″ ) , you can sense Pan 's mock desperation as Syrinx disappears among the reeds — it is a deliberately exaggerated gesture ( back of hand against forehead ? ) and very amusing .
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