Example sentences of "[verb] [art] [num] [prep] [art] [noun pl] " in BNC.
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1 | It would be tedious to quote and consider every one of the tributes that Pound paid to Binyon . |
2 | No need to accept every one of the invitations which kept on being delivered because of Amabel 's fear of giving offence . |
3 | There was one girl in particular who interested Harriet , a small girl with hair cut gamin short , whose face was so expressive that it seemed to reflect every one of the emotions that they were all feeling , these midinettes who had basted hemlines and stitched hooks and eyes into place , positioned trimmings and sewed them into place with such tiny stitches that they were all but invisible to the naked eye . |
4 | This Board , whose role is by no means a formality , as it has to vet every one of the artists shown at the exhibition , is now made up of people who reflect the old groupings : seven Christian Democrats , six Socialists , two PDS ( formerly Communist ) , one Liberal and one Social Democrat . |
5 | I 've got to look a one of the notes here hang on . |
6 | Suppose no two of the processes unc can communicate on the same global channel ( even internally ) , that the list unc contains each free variable that can be input or assigned to by one Pi and used ( in any way ) in another , and that no unc has a free occurrence of any of the channels . |
7 | Yes er on the production phase , can I ask a very general question erm are you satisfied every one of the participants is now totally locked in . |
8 | Lazarus 's business ambitions soon elevated him from storeman to lumber merchant , thence to a partnership in the coal industry which became his sole business — L. Cohen and Son — after a few years , and hence to a high-profile dredging company which could boast that it had kept every one of the lifelines of the young nation — the St. Lawrence tributaries between Lake Ontario and Quebec — open . |
9 | I thank the Minister for delivering every one of the pledges that he gave us in Committee . |
10 | ( I had better say now that readers who identify the I of the Sonnets with Shakespeare 's own personality not only encourage that futility of speculation about the identity of a real-life ‘ Friend ’ and ‘ Dark Lady ’ which has pestered discussions of these poems for so long , and is now in the last stages of senility ; but in so doing they also destroy one of the essential principles of literary criticism in modern times , the independence of the I in lyric poetry , its existence as a persona or mask behind which the poet is free to impersonate any human situation without being identified with each or all of the mutations — often contradictory — taken on by his persona . ) |