Example sentences of "[verb] [conj] [verb] [adv prt] [adv] [art] " in BNC.

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1 How can I describe that experience in just a few words ?
2 I was most willingly rescued and brought down manually the four flights of stairs .
3 Even though no two people speak or write in just the same way , groups of people share sufficient language characteristics ( of accent , vocabulary and grammar ) to bind them together and to distinguish them from other groups .
4 The Dragoons closest to the Prussians immediately turned and galloped back up the slope towards their comrades .
5 There were some valid defences , particularly the poor state of most of the pitches and the injuries to Gatting ( having returned from getting his nose repaired he promptly had a thumb broken and played in only the final Test ) , but some of the criticisms were very valid , too .
6 With one glance from the weeping girl to fitzAlan , Simon turned and strode back up the hill towards the castle .
7 He turned and went back up the rows of cars .
8 Shepherd turned and looked back up the slope .
9 She turned and looked back up the slope towards the cottage .
10 Li Yuan laughed awkwardly then turned and looked back up the path .
11 And if you find that sprinkling on just a little bran in no way detracts from your bowl of breakfast cereal , then you will be tempted to continue to do so .
12 The upvc comes in planks , in sizes similar to timber , and can be cut , nailed and screwed in much the same way .
13 It seems to me that he was waylaid and killed round about a quarter or half of the hour past six .
14 As for the police , they seem to think and behave in much the same way .
15 None of us has our own patch to ourselves , and we meet , fight and compete in nearly every country in the world .
16 The scale on which Pound was working was not clear even to the poet himself ; so that the eleven cantos which he originally designated as ‘ preparation of the palette ’ are now by responsible commentators considerably extended — to the extent that the first thirty cantos , which are all that the twenties knew of the poem ( A Draft of XVI Cantos ( Paris , June 1925 ) ; A Draft often Cantos 17–27 ( 100 copies , September 1928 ) ; and A Draft of XXX Cantos ( 210 copies , August 1930 ) ) , are now often regarded as laying out no the painter 's palette the hues that only in subsequent cantos would be combined to polemical and imaginative purpose .
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