Example sentences of "of [art] same " in BNC.

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1 But the function of art history today is not only to make such identifications , but also to relate an individual work humanistically to other works of the same school , period and culture , while remaining sensitive to its salient aesthetic qualities .
2 The decorative flatness and the higher colour of Japanese art also follow as products of the same climatic necessity .
3 Comparison of illustrations of the same picture in several publications will demonstrate this truism , while the best test of looking at a reproduction in front of the picture itself can be a disheartening experience .
4 There is a sense in which the hero of Kundera 's novel Life is elsewhere , published in Britain in 1986 , is also the hero of Klima 's collection of stories My First Loves , published here in the same month of the same year .
5 Nowadays , people all over the world unequivocally reject the idea of gulags , yet they are still willing to let themselves be hypnotised by totalitarian poesy and to march to new gulags to the tune of the same lyrical song piped by Eluard when he soared over Prague like the great archangel of the lyre , while the smoke of Kalandra 's body rose to the sky from the crematory chimney .
6 Barton does investigate the actor 's work in a more contemporary way and the book is based on the TV series of the same name .
7 In addition , paragraph 3 of the same article recognized the main protestant churches then existing in Ireland .
8 Using traditional measures of religiosity , he has pointed out the apparent failure of English catholic schools to produce better catholics and fewer ex-catholics than state or other schools , and has inferred the likelihood of the same for Irish schools .
9 There were traces of the same fine-boned look about him , but his features were already well masked by what was likely in the course of time to become a solid layer of self-indulgent fat .
10 The proceeds would be in aid of the same charity as our garden opening .
11 After that they become too tall to manage easily , although dealing with a tall espalier growing flat on a wall is a breeze compared to pruning a bush tree of the same height .
12 Avoid monoculture : growing large areas of the same crop which then becomes an easy target .
13 This extremely perceptive analysis of the institutional mind fits the police world like a glove , and recent elaborations in policing , along with its growth in the mainstream of the daily social process , supports Douglas 's contention ( ibid. ) that an institution which is dependent upon authority can only demand more of the same .
14 The mind puts together certain things and deems them to be of the same kind .
15 Something has got to give : all these italicized attributions can not be true of the same person at once .
16 If we attempt to put the wrong type of things together , or attempt separate explanations of things which are part of the same natural kind , then we are going to struggle to produce successful science .
17 Property dualism holds that the perception and the neural events which are its physical basis are simply different aspects , properties or attributes of the same ( physical ) events : what the physiologist observes on examining the brain and what the owner of the examined brain feels are two aspects of the same event .
18 Property dualism holds that the perception and the neural events which are its physical basis are simply different aspects , properties or attributes of the same ( physical ) events : what the physiologist observes on examining the brain and what the owner of the examined brain feels are two aspects of the same event .
19 As the 1980s were drawing to their close , The West Highlander — not to be confused with the BR-promoted summer steam service of the same name running between Fort William and Mallaig — emerged as the Charter Unit 's most successful train , achieving an average load factor of 87 per cent .
20 Not all the results were of the same high quality ; nevertheless the music they arranged reinforced the choreographer 's design by giving the plot atmosphere , local colour , continuity and flow as well as giving the dancing its rhythmic vitality , emotion and mood .
21 Two contrasting examples of what can happen when music is borrowed are Tomassini 's arrangement of Scarlatti 's sparkling music for Massine 's The Good-Humoured Ladies and the arrangement of the same composer 's music for Cranko 's The Taming of the Shrew which merely gives overall and rough phrase rhythms as time-keepers for a three-act ballet .
22 Some of the same movements are repeated yet again in the final pas de deux , when the Prince raises her high above the glistening Stars before leading her away to the land where ‘ they lived happily ever after ’ , where all fairy tales should end .
23 There are some glimpses of the same behaviour in MacMillan 's Mayerling , although the manners and behaviour have deteriorated .
24 Moreover , as has been noted earlier , all character dance movements must be more strongly marked both physically and musically than the demi-caractère versions of the same steps .
25 They include the Black Friar , opposite the railway station of the same name , which is a favourite for tourists .
26 And , after a while , I found the repeated use of the same illustrations from Whymper 's ‘ Scrambles in the Alps ’ irritating .
27 The signal then goes to a second amplifier/filter of the same configuration also with a corner frequency of about 0.3Hz .
28 The same irony is enriched and plangently deepened in another fine poem by Tate of the same year , in which once again the many Virgilian echoes point to a deeper affinity — with the fable of the Aeneid as making more sense than he can find anywhere else , for the historical predicament that the American Southerner has inherited and must make sense of .
29 Bowled over by the originality and assurance of Joyce 's Ulysses , which was being sent to him by the author in typescript section by section , Pound was between 1920 and 1922 dismantling the several hundred lines of The Cantos that he had written and published , and recasting them radically , using some of the same material but trying for a less personalized presentation .
30 ( Pound had studied some of the same French poets , notably Laforgue and Rimbaud , but he had profited by them in a quite different way from Eliot , and he was averse to the central thrust of the symboliste endeavour , to which indeed the imagist or imagiste movement which he had sponsored had been intended as a challenging alternative . )
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