Example sentences of "[pron] you 've " in BNC.

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1 I mean I you 've got ta be clear what it is you actually want to do .
2 All right well look I I you 've er sort of selected and I I 've got no problem with that although schools er I would have thought was ideal for as well as medical .
3 And er again I have to put to you I you 've heard the say and I do think you 'll disagree .
4 While they were looking round the garden I you 've got to get out the shower quick .
5 She paid me for this week and she said well I you 've got ninety pound here
6 I you 've got ta fucking drive .
7 If you 've got I you 've got that yeah ?
8 You stay away from my you 've got the whole floor full of butter .
9 So we want to put only the best wild animals in it , and here in these jungles of yours you 've got some of the rarest animals in the world .
10 Never accept a lift from someone you 've just met !
11 Other useful people may be the secretary of a committee you 've served on or someone you 've done temporary work for .
12 ‘ You can scarcely pretend that I 'm a prowler or whatever : someone you 've never met .
13 ‘ I 'm someone you 've known every day of your life , but never thought of as a Someone . ’
14 It 's odd how you can chat so animatedly whilst someone you 've only just met is poking your most intimate spots , is n't it ?
15 The shock o of losing someone you 've been married to for twenty one years , we grew up together , he was my best friend , he was n't just my husband he was my best friend .
16 ‘ It 's — it 's weird to be compared to someone you 've never seen . ’
17 tell you a true story , right , tell you a story there 's nobody you 've ever seen
18 Now I should like the name and address of the authority who employ you , the name of your landlady and that of the school in which you 've been teaching . ’
19 Neither the size of the orchestras nor the size of the stage seems to have deterred you from staging major works by Verdi — Un ballo in maschera , for instance , which you 've now come back to after fifty years — Wagner , and Strauss .
20 When we were watching the end of the film of Brahms 's First Symphony which you 've been editing , I noticed you giving a very accurate two-handed performance of the timpani part on the table in front of you .
21 Filming orchestral music is obviously an art which you 've given special thought to and you are pioneering your own editing methods in the light of your long musical and interpretative experience .
22 Of course the environment is very much more simple and unpleasant than the environment from which you 've just come .
23 Have there been any developments on the guitar synth front which you 've taken up for this album ?
24 Subject to your report , which you 've just given .
25 Such identification of the elements of Q with those of Q is in exactly the same spirit as the identification of the elements of Z with certain elements of Q ( see Fig. 1.2 ) , an identification to which you 've probably never previously given much thought .
26 Then , as students , you may be familiar with " the examination dream " — of sitting and taking an examination or a test which you 've already taken and passed .
27 Which you 've got in both .
28 And you measure the angle through which you 've had to turn to get to that position , and which direction you 've had to turn it through or rather , which direction the light had been rotated through .
29 Somebody 's slipped over and they 've got all the grit in their knuckles in the part of their knuckles and you want to bandage the hand or there 's a cut on the hand , even on the palm , we can do that one later when it 's really , when it 's really a gash , gushing blood we can do this afternoon , I repeat again none of these which you 've done this morning will control severe bleeding , get it into your heads this is just to cover to keep infection out , alright , these are not to control severe bleeding just covering a minor wound or a graze , right ?
30 The picture , the acute picture which you 've just seen is virtually exclusively due to the production of a toxin and that toxin produces really a necrotic pharyngitis inflammation of the pharynx associated with necrosis and detachment of what we call the pseudo-membrane .
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