Example sentences of "connection between [art] [adj] [conj] [art] " in BNC.

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1 In what follows an attempt will be made to set down the main features of polymer viscoelasticity to enable the connections between the phenomenological and the molecular to be stated , where they are known , in preparation for the discussion in Chap .
2 In what follows an attempt will be made to set down the main features of polymer viscoelasticity to enable the connections between the phenomenological and the molecular to be states , where they are known , in preparation for the discussion in Chap .
3 Like the latter , Genet inverts and subverts the surface/depth binary , confirming and exploiting the connections between the paradoxical and the perverse , and turning them against the regimes , heterosexual and otherwise , which outlaw the deviant .
4 The connection between the visible and the tangible is conceived by Berkeley as having been set up by God .
5 This is a necessary condition for a reductionist view of the mind but , particularly given the absence of any effective demonstration of a causal connection between the mental and the neural , it is certainly not a sufficient condition .
6 In other words , in considering a possible connection between the creative and the mad it is the differences , as well as the similarities , between them that need to be understood .
7 The relationship is a pragmatic one in both cases : the connection between the ideal and the real needs to be established by mediation .
8 Wilde 's transgressive aesthetic simultaneously confirmed and exploited this inextricable connection between the sexual and the ( apparently ) non-sexual , between sexual perversion and social subversion , and does so through Wilde 's own version of that connection : ‘ what paradox was to me in the sphere of thought , perversity became to me in the sphere of passion ’ ( Wilde , De Profundis , 466 ) .
9 But the connection between the short and the long run was a matter of belief and not of analysis .
10 This was felt by the Romantics to be too static , too absolute , too cut-and-dried , and to leave no place for the dynamics of discovery , the interplay of diversities , the movement from partial to fuller understanding , the connection between the inward and the outward , the whole and the part , the individual and the universal .
11 I have suggested that there is an important connection between the linguistic and the metalinguistic , since the important thing about sex difference is not what it is so much as what it is made to mean .
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